Zanetto Micheli Top # 10 Facts
Lovely music on a cold, late-winter day....... History of the Violin - from Wiki The violin, viola, and cello were first made in the early 16th century, in Italy. The earliest evidence for their existence is in paintings by Gaudenzio Ferrari from the 1530s, though Ferrari's instruments had only three strings. The Academie musicale, a treatise written in 1556 by Philibert Jambe de Fer, gives a clear description of the violin family much as we know it today. Violins are likely to have been developed from a number of other string instruments of the 15th and 16th centuries, including the vielle, rebec, and lira da braccio. The history of bowed string instruments in Europe goes back to the 9th century with the Byzantine lira (or lūrā, Greek: λύρα). Since their invention, the violin family have seen a number of changes. The overall pattern for the instrument was set in 17th century luthiers like Stradivarius and Jacob Stainer, with many makers at the time and since following their templates. The Persian geographer Ibn Khurradadhbih (d. 911) of the 9th century, was the first to cite the bowed Byzantine lira as a typical instrument of the Byzantines and equivalent to the rabāb used in the Islamic Empires of that time. The Byzantine lira spread through Europe westward and in the 11th and 12th centuries European writers use the terms fiddle and lira interchangeably when referring to bowed instruments (Encyclopædia Britannica. 2009). In the meantime rabāb was introduced to the Western Europe possibly through the Iberian Peninsula and both bowed instruments spread widely throughout Europe giving birth to various European bowed instruments. Over the centuries that followed, Europe continued to have two distinct types of bowed instruments: one, relatively square-shaped, held in the arms, known with the Italian term lira da braccio (meaning viol for the arm) family; the other, with sloping shoulders and held between the knees, known with the Italian term lira da gamba (or viola da gamba, meaning viol for the leg) group. During the Renaissance the gambas were important and elegant instruments; they eventually lost ground to the louder (and originally viewed as less aristocratic) lira da braccio family of the modern violin. Instruments of approximately 300 years of age, especially those made by Stradivari and Guarneri del Gesù, are the most sought after instruments (for both collectors and performers). In addition to the skill and reputation of the maker, an instrument's age can also influence both price and quality. The most famous violin makers, between the early 16th century and the 18th century included: Micheli family of Italian violin makers, Zanetto Micheli 1490 - 1560, Pellegrino Micheli 1520 - 1607, Giovanni Micheli 1562 - 1616, Francesco Micheli 1579 - 1615, and the brother in law Battista Doneda 1529 - 1610 Bertolotti da Salò (Gasparo da Salò) family of Italian violin and double bass players and makers: Francesco 1513 - 1563 and Agostino 1510 - 1584 Bertolotti, Gasparo Bertolotti 1540 - 1609 called Gasparo da Salò Giovanni Paolo Maggini 1580 - 1630 pupil of Gasparo da Salò Amati family of Italian violin makers, Andrea Amati (1500–1577), Antonio Amati (1540–1607), Hieronymous Amati I (1561–1630), Nicolo Amati (1596–1684), Hieronymous Amati II (1649–1740) Guarneri family of Italian violin makers, Andrea Guarneri (1626–1698), Pietro of Mantua (1655–1720), Giuseppe Giovanni Battista Guarneri (Joseph filius Andreae) (1666–1739), Pietro Guarneri (of Venice) (1695–1762), and Giuseppe Guarneri (del Gesu) (1698–1744) Antonio Stradivari (1644–1737) of Cremona Jacob Stainer (1617–1683) of Absam in Tyrol
Cin Ci Là - Operetta Complete work Operetta in two acts by Carlo Lombardo Music by Carlo Lombardo and Virgilio Ranzato Publidhed by Casa Lombardo Milano International Operetta Festival 2008 - Trieste Operetta is a genre of light opera, light in terms both of music and subject matter. It is also closely related, in Italian-language works, to forms of musical theatre. Live recorded in Teatro Verd Giuseppe Verdi - Trieste Conductor Elisabetta Maschio Director Maurizio Nichetti Video Director Giovanna Nocetti Maurizio Nichetti (born May 8, 1948) is an Italian film screenwriter, actor and director. His 1989 film The Icicle Thief won the Golden St. George at the 16th Moscow International Film Festival. In 1998 he was a member of the jury at the 48th Berlin International Film Festival.. In 1998 he was a member of the jury at the 48th Berlin International Film Festival. Cin Ci Là Elena Rossi Petit Gris Maurizio Micheli Ciclamino Leonardo Caimi Myosotis Giuseppina Bridelli Blum Gualtiero Giorgina Fon-Ki Maurizio Zacchigna Elena Rossi, the exceptional performer of this Operetta is also performing at La Scala in Milan. Maurizio Micheli is a famous Italian actor who fantastically performs in the role of Petit Gris. The direction of the famous Maestro Elisabetta Maschio gives to this work the imprinting of international cultural value.
Una delle operette piu' note, che come tutti i classici merita di essere vista almeno una volta. La visione e' preceduta da un'introduzione a cura di Vito Molinari. Questa e' una celebre edizione curata dalla RAI, nel 1974. Nell'edizione RAI, Pesamenole, interpretato da Gianrico Tedeschi, diviene milanese (mentre Zanetto era veneziano) e cambia il nome in Giovanni. L'avvocato Bellati, interpretato da Gianni Nazzaro, diviene Napoletano. L'operetta si svolge in 3 atti di Ralph Benatzky, su libretto di Hans Müller-Einigen e Erik Charell e testi di Robert Gilbert. Trae ispirazione dall'omonima commedia di Oskar Blumenthal e Gustav Kadelburg, scritta nel 1896 durante il soggiorno in una locanda di Sankt Wolfgang im Salzkammergut sul Wolfgangsee in Austria. Versione Italiana Mario Nordio Personaggi e interpreti: Gioseffa Vogelhuber, Ostessa, Angela Luce Leopold Brandmeyer, Primo cameriere, Tony Renis Giorgio Bellati*, avvocato, Gianni Nazzaro Giovanni Pesamenole, Industriale milanese, Gianrico Tedeschi Ottilia Pesamenole, figlia di Zanetto, Mita Medici Sigismondo Cogoli, figlio del concorrente di Pesamenole, Paolo Poli Rudy, Cameriere, Maurizio Micheli Franz, Cameriere, Giampaolo Rossi Prof. Dr. Hinzelmann, villeggiante, Armando Bandini Claretta, Figlia del Prof. Dr. Hinzelmann, Graziella Porta L'Arciduca - l'Imperatore Franz Joseph I., Mario Pisu Il Guardaboschi, Gianni Bortolotto
One of the earliest known violones, the predecessor of the double bass, was built around 1550 by Pellegrino Micheli and and survived 5 centuries. It is now on display still in the Musee de la Musique in the Philharmonie in Paris. in 2017 renowned luithier Gesina Liedmeier and bass player Tony Overwater decided to recreate the instrument. In these videos you can follow the development of the Faunus. Part 1 - the start https://youtu.be/ImYo891hnNE Part 2 - the head https://youtu.be/TafL_QbDx78 Part 3 - the bass bar and inlay https://youtu.be/MpH2XKZNOwk Part 4 - the body https://youtu.be/oyY99Hrs940 Part 5 - tail piece and strings https://youtu.be/uOMeX0yW2hE
Al Vittoriale - Gardone (Bs) www.magicobaule.com
Rosanna Lo Greco as Musetta in La Bohème - Teatro La Fenice - Website: http://www.rosannalogreco.com Cast Mimì Gioia Crepaldi Rodolfo Ivan Ayon Rivas Marcello Julian Kim Musetta Rosanna Lo Greco Schaunard Francesco Salvadori Colline Francesco Milanese Conductor Stefano Ranzani Director Francesco Micheli Orchestra del Teatro La Fenice
Teatro Comunale De Micheli - Copparo Orchestra Città di Ferrara Direttore Mauro Perissinotto Regia Maria Cristina Osti
Maria Francesca Mazzara (Musetta) nella scena del II Quadro di "La Bohème" di Giacomo Puccini in cui canta la famosa aria "Quando men vo". Teatro Politeama di Lecce. 01.05.2016 Maria Francesca Mazzara - Musetta Gianni Leccese - Rodolfo Maria Tomassi - Mimì Francesco Baiocchi - Marcello Giovanni Guarino -Schaunard Fulvio Valenti - Colline Claudio Maria Micheli - Direttore Pietro Ballo - Regia
Estudo e comemorações de Páscoa na Escola Municipal Irio Manganelli - Foz do Iguaçu - Paraná - Brasil.