Ludwig van Beethoven: Ode an die Freude/Ode to Joy 1

Ludwig van Beethoven: Ode an die Freude/Ode to Joy 1

Ludwig van Beethoven: Ode an die Freude/Ode to Joy Der bekannte Ausschnitt aus Beethovens 9. Symphonie The famous part of Beethoven's 9th Symphonie Text/Lyrics: O Freunde, nicht diese Töne! Sondern lasst uns angenehmere anstimmen und freudenvollere! Freude, schöner Götterfunken, Tochter aus Elysium, Wir betreten feuertrunken. Himmlische, dein Heiligtum! Deine Zauber binden wieder Was die Mode streng geteilt; Alle Menschen werden Brüder Wo dein sanfter Flügel weilt. Wem der grosse Wurf gelungen Eines Freundes Freund zu sein, Wer ein holdes Weib errungen, Mische seinen Jubel ein! Ja, wer auch nur eine Seele Sein nennt auf dem Erdenrund! Und wer's nie gekonnt, der stehle Weinend sich aus diesem Bund. Freude trinken alle Wesen An den Brüsten der Natur; Alle Guten, alle Bösen, Folgen ihrer Rosenspur. Küsse gab sie uns und Reben, Einen Freund, geprüft im Tod; Wollust ward dem Wurm gegeben, Und der Cherub steht vor Gott! Froh, wie seine Sonnen fliegen Durch des Himmels prächt'gen Plan, Laufet, Brüder, eure Bahn, Freudig, wie ein Held zum Siegen. Seid umschlungen, Millionen. Dieser Kuss der ganzen Welt! Brüder! Über'm Sternenzelt Muss ein lieber Vater wohnen. Ihr stürzt nieder, Millionen? Ahnest du den Schöpfer, Welt? Such ihn über'm Sternenzelt! Über Sternen muss er wohnen.

Four Seasons ~ Vivaldi

Four Seasons ~ Vivaldi

Antonio Vivaldi - Four Seasons Budapest Strings Bela Banfalvi, Conductor You can get the exact album I have here on Amazon: http://amzn.to/1I2dNNu (affiliate). Here are the times for the specific movements: Spring 0:00 Summer 10:31 Autumn 20:59 Winter 32:48 I hope you love this recording! It is my favorite one I've heard yet. Happy Listening! AnAmericanComposer

Flashmob Nürnberg 2014 - Ode an die Freude

Flashmob Nürnberg 2014 - Ode an die Freude

http://www.evenordbank.de/ Aus Wertschätzung gegenüber unserer Region! Vielen Dank an alle Mitglieder des Hans-Sachs-Chors und der Philharmonie Nürnberg, die mit uns dieses Vorhaben begeisternd aufgegriffen und am 14.06.2014 an der Lorenzkirche in Nürnberg so toll umgesetzt haben. Vielen Dank auch an alle, die mit einem Like den Beteiligten ihre Anerkennung zollen! Out of appreciation towards our region. Many thanks to all the members of the "Hans-Sachs"-Choir and the Philharmonic Orchestra of Nuremberg who took up our idea enthusiastically and performed it so well at the Lorenzkirche in Nuremberg on the 14th of June 2014! Also a big thanks to everybody who supports and pays tribute to the participants of this flashmob with a like! Por aprecio para nuestra región! Muchas gracias a todos los miembros del coro "Hans-Sachs" y la Orquestra Filharmónica de Núremberg, los cuales han retomado nuestra idea con entusiasmo y la han realizado fantásticamente en frente de la Lorenzkirche en Núremberg el día 14 de junio de 2014. Muchas gracias también a todas las personas que aprecian los participantes con un like!

Pachelbel - Canon In D Major. Best version.

Pachelbel - Canon In D Major. Best version.

This is Canon by Pachelbel. I have mixed some pictures in the song to make it even more relaxing :). Enjoy and feel free to comment.

Mozart Symphony #40 in G Minor, K 550 - 1. Molto Allegro

Mozart Symphony #40 in G Minor, K 550 - 1. Molto Allegro

Anzor Kinkladze Georgian SIMI Festival Orchestra 1998 Wolfgang Amadeus Mozart

Ludwig van Beethoven: Ode an die Freude/Ode to Joy 2

Ludwig van Beethoven: Ode an die Freude/Ode to Joy 2

Ludwig van Beethoven: Ode an die Freude/Ode to Joy Der bekannte Ausschnitt aus Beethovens 9. Symphonie Nr. 2 The famous part of Beethoven's 9th Symphonie No. 2 Text/Lyrics: O Freunde, nicht diese Töne! Sondern lasst uns angenehmere anstimmen und freudenvollere! Freude, schöner Götterfunken, Tochter aus Elysium, Wir betreten feuertrunken. Himmlische, dein Heiligtum! Deine Zauber binden wieder Was die Mode streng geteilt; Alle Menschen werden Brüder Wo dein sanfter Flügel weilt. Wem der grosse Wurf gelungen Eines Freundes Freund zu sein, Wer ein holdes Weib errungen, Mische seinen Jubel ein! Ja, wer auch nur eine Seele Sein nennt auf dem Erdenrund! Und wer's nie gekonnt, der stehle Weinend sich aus diesem Bund. Freude trinken alle Wesen An den Brüsten der Natur; Alle Guten, alle Bösen, Folgen ihrer Rosenspur. Küsse gab sie uns und Reben, Einen Freund, geprüft im Tod; Wollust ward dem Wurm gegeben, Und der Cherub steht vor Gott! Froh, wie seine Sonnen fliegen Durch des Himmels prächt'gen Plan, Laufet, Brüder, eure Bahn, Freudig, wie ein Held zum Siegen. Seid umschlungen, Millionen. Dieser Kuss der ganzen Welt! Brüder! Über'm Sternenzelt Muss ein lieber Vater wohnen. Ihr stürzt nieder, Millionen? Ahnest du den Schöpfer, Welt? Such ihn über'm Sternenzelt! Über Sternen muss er wohnen.

Classical Chillout - Pachelbel,Mozart,Beethoven,Debussy,Janacek,Bach,Handel

Classical Chillout - Pachelbel,Mozart,Beethoven,Debussy,Janacek,Bach,Handel

Classical chillout music for studying,concentration,sleep or just chillin :) There was a problem with upload,last few minutes where cut.last song is Samuel Barber - Adagio for strings.Sorry for that everyone... Track list: 0:00 Pachbell - Canon 5:20 Mozart - Eine Kleine Natchtmusik - Andante 11:08 Beethoven - Fur Elise 14:07 Tchaikovsky - String quartet No1 - Andante 20:49 Debussy - Clair de Lune 25:37 Janacek - Idyll for strings - Adagio 31:15 Albinoni - Adagio in G minor 39:45 Debussy - The girl with the Flaxen hair 42:00 Bach - Air on a G string 47:10 Williams - Greensleeve 51:41 Handel - Largo from Xerxes 56:00 Bach - Fugue in C minor 58:54 Holst - The planets - Venus 1:06:56 Bach - Goldberg variations - Aria

Prokofiev - Dance of the Knights

Prokofiev - Dance of the Knights

Prokofiev: Romeo and Juliet, No 13 Dance of the Knights Sergei Sergeyevich Prokofiev (Russian: Серге́й Серге́евич Проко́фьев, tr. Sergej Sergeevič Prokof'ev)[1][2] (27 April [O.S. 15 April] 1891 -- 5 March 1953)[3] was a Russian composer, pianist[4][5] and conductor who mastered numerous musical genres and is generally regarded as one of the major composers of the 20th century.

Johann Strauss II - The Blue Danube Waltz

Johann Strauss II - The Blue Danube Waltz

Disscuss/Review The Blue Danube Waltz at https://classicalmusiconly.com/work/johann-strauss-ii/the-blue-danube-op-314-e6o3 Title : Johann Strauss II , The Blue Danube Waltz Date : 1867 From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!" The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion. The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs. It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody. The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent. Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated. A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key. After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer. The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.

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