Karel Kryl - Karavana mraků

Karel Kryl - Karavana mraků

Slunce je zlatou skobou na vobloze přibitý, pod sluncem sedlo kožený, pod sedlem kůň, pod koněm moje boty rozbitý a starý ruce sedřený. Dopředu jít s tou karavanou mraků, schovat svou pleš pod stetson děravý, [: jen kousek jít, jen chvíli, do soumraku, až tam, kde svítí město, město bělavý. :] jé Vítr si tiše hvízdá po silnici spálený, v tom městě nikdo nezdraví, šerif i soudce - gangsteři, voba řádně zvolený, a lidi strachem nezdravý. Sto cizejch zabíječů s pistolema skotačí a zákon džungle panuje, je je jéé provazník plete smyčky, hrobař kopat nestačí a truhlář rakve hobluje. V městě je řád a pro každého práce, buď ještě rád, když huba voněmí, [: může tě hřát, že nejsi na voprátce nebo že neležíš pár inchů pod zemí. :] jé Slunce je zlatou skobou na vobloze přibitý, pod sluncem sedlo kožený, pod sedlem kůň, pod koněm moje nohy rozbitý a starý ruce sedřený. Pryč odtud jít s tou karavanou mraků, kde tichej dům a pušky rezaví, [: orat a sít od rána do soumraku a nechat zapomenout srdce bolavý. :]

Karel Kryl-Anděl

Karel Kryl-Anděl

Karel Kryl-Anděl Z rozmlácenýho kostela v krabici s kusem mýdla, přinesl jsem si anděla, polámali mu křídla. Díval se na mě oddaně, já měl jsem trochu trému. Tak vtiskl jsem mu do dlaně lahvičku od parfému. A proto prosím, věř mi, chtěl jsem ho žádat, aby mi mezi dveřmi pomohl hádat, co mě čeká a nemine, co mě čeká a nemine. Pak hlídali jsme oblohu, pozorujíce ptáky, debatujíce o Bohu a hraní na vojáky. Do tváře jsem mu neviděl, pokoušel se ji schovat, to asi ptákům záviděl, že mohou poletovat. A proto prosím, věř mi, chtěl jsem ho žádat, aby mi mezi dveřmi pomohl hádat, co mě čeká a nemine, co mě čeká a nemine. Když novinky mi sděloval u okna do ložnice, já křídla jsem mu ukoval z mosazný nábojnice... A tak jsem pozbyl anděla, on oknem uletěl mi, však přítel prý mi udělá novýho z mojí helmy. A proto prosím, věř mi, chtěl jsem ho žádat, aby mi mezi dveřmi pomohl hádat, co mě čeká a nemine, co mě čeká a nemine.

Lenny - Hell.o

Lenny - Hell.o

Download and listen to the HEARTS album here: https://umusiccz.lnk.to/hearts Subscribe to Lenny's YouTube channel: https://www.youtube.com/user/LennyMusicVEVO Follow Lenny: http://lennymusic.net https://www.facebook.com/lennymusicofficial https://twitter.com/lennymusiccz https://www.instagram.com/lennyfilipova Subscribe here: https://goo.gl/SkjHpU Best of Lenny https://goo.gl/Ya5xQs

Pastor Bill Krause: Encouragement for Discouraging Times

Pastor Bill Krause: Encouragement for Discouraging Times

If you need a lift, a boost to your faith and encouragement. Listen to this timeless message from Pastor Bill Krause from Christmas 2015 that will bring you to courage any time of the year.

Ortel Co se to stalo (Brůža cover)

Ortel Co se to stalo (Brůža cover)

kytara : R.G.Design kombo : MG15CFX je to odposlouchané ;) taby na to nemam ;) kdo by chtěl taby ... tak mohu udělat ;)

LAS VELAS FEST upoutávka

LAS VELAS FEST upoutávka

LAS VELAS FEST 13. 9. 2014 Velatice více na: https://www.facebook.com/pages/LAS-VELAS-FEST/1439173149682526?ref_type=bookmark

'2018 Troja Wine Festival (2018 Trojské Vinobraní-2018 트로야성 와인축제)

'2018 Troja Wine Festival (2018 Trojské Vinobraní-2018 트로야성 와인축제)

(2018.09.08) '2018 트로야성 와인축제' (08.09.2018) '2018 Troja Wine Festival (2018 Trojské Vinobraní)'

Suspense: Will You Make a Bet with Death / Menace in Wax / The Body Snatchers

Suspense: Will You Make a Bet with Death / Menace in Wax / The Body Snatchers

There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" - "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29

Suspense: I Won't Take a Minute / The Argyle Album / Double Entry

Suspense: I Won't Take a Minute / The Argyle Album / Double Entry

The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29

Suspense: Hitchhike Poker / Celebration / Man Who Wanted to be E.G. Robinson

Suspense: Hitchhike Poker / Celebration / Man Who Wanted to be E.G. Robinson

Poker is a family of card games involving betting and individualistic play whereby the winner is determined by the ranks and combinations of their cards, some of which remain hidden until the end of the game. Poker games vary in the number of cards dealt, the number of shared or "community" cards and the number of cards that remain hidden. The betting procedures vary among different poker games in such ways as betting limits and splitting the pot between a high hand and a low hand. In most modern poker games, the first round of betting begins with one of the players making some form of a forced bet (the ante). In standard poker, each player is betting that the hand he or she has will be the highest ranked. The action then proceeds clockwise around the table and each player in turn must either match the maximum previous bet or fold, losing the amount bet so far and all further interest in the hand. A player who matches a bet may also "raise," or increase the bet. The betting round ends when all players have either matched the last bet or folded. If all but one player fold on any round, then the remaining player collects the pot and may choose to show or conceal their hand. If more than one player remains in contention after the final betting round, the hands are revealed and the player with the winning hand takes the pot. With the exception of initial forced bets, money is only placed into the pot voluntarily by a player who, at least in theory, rationally believes the bet has positive expected value. Thus, while the outcome of any particular hand significantly involves chance, the long-run expectations of the players are determined by their actions chosen on the basis of probability, psychology and game theory. Poker has gained in popularity since the beginning of the twentieth century, and has gone from being primarily a recreational activity confined to small groups of mostly male enthusiasts, to a widely popular spectator activity with international audiences and multi-million dollar tournament prizes. http://en.wikipedia.org/wiki/Poker

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