Tchaikovsky - Piano Concerto 1 - B Flat Minor
Subscribe for more classical music: http://bit.ly/YouTubeHalidonMusic Listen to our Tchaikovsky playlist on Spotify: http://spoti.fi/2nSb4kb Like us on Facebook: http://www.facebook.com/halidonmusic/ ▶ BUY the full MP3 album from our music store: http://bit.ly/13fG8tj ♫♫♫ Special Price ♫♫♫ ▶ BUY on iTunes: http://bit.ly/1mNlvjQ ▶ BUY on Amazon: http://amzn.to/1jCZHmc Follow us here: https://www.facebook.com/halidonmusic/ https://twitter.com/halidonmusic http://www.halidon.it/index.php More music here: https://play.spotify.com/user/halidon TRACKLIST The Best of Tchaikovsky 1. Piano Concerto No. 1 in B-Flat Minor Op. 23 - Allegro non troppo ( 00:00 ) 2. Eugene Onegin Act III -- Polonaise ( 08:56 ) 3. Symphony No. 6 in B Minor "Pathetique" - 1st mov. ( 14:00 ) 4. Violin Concerto in D Major Op. 35 - Andante ( 33:15 ) 5. Slavonic March in B-Flat Minor, Op. 31 ( 40:06 ) 6. 1812 - Overture ( 50:50 ) 7. The Nutcracker, Op. 71 - Ouverture ( 1:06:46 ) 8. The Nutcracker Op. 71 - Dance of the Sugarplum Fairy ( 1:10:13 ) 9. The Nutcracker Op. 71 - Waltz of the Flowers ( 1:12:04 ) 10. The Sleeping Beauty Op. 66 - Ouverture ( 1:18:43 ) 11. Swan Lake - Dance of the Swans ( 1:21:31 ) 12. Swan Lake - Waltz in A Major ( 1:30:17 ) 13. Swan Lake - Scene from Act 2 ( 1:37:51 ) Thank you so much for watching this video by Halidon Music channel, we hope you enjoyed it! Don't forget to share it and subscribe to our channel http://bit.ly/YouTubeHalidonMusic All the best classical music ever on Halidon Music Youtube Channel: The Best Classical Music Playlist Mix, The Best Classical Music For Studying, Classical Music For Reading, Classical Music For Concentration, Classical Music for Sleeping and Relaxation, Instrumental Music, Background Music, Opera Music, Piano, Violin & Orchestral Masterpieces by the greatest composers of all time. The very best of Mozart, Beethoven, Bach, Chopin, Tchaikovsky, Vivaldi, Schubert, Handel, Liszt, Haydn, Strauss, Verdi, Brahms, Wagner, Mahler, Rossini, Ravel, Grieg, Ravel, Dvorák…
Beethoven - Moonlight Sonata (FULL) - Piano Sonata No. 14 http://www.facebook.com/9Beethoven https://twitter.com/YtAndrearomano6 The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", op. 27, No. 2, by Ludwig van Beethoven The sonata has three movements: 1 mvt: Adagio sostenuto. 2 mvt: Allegretto (click to go at 6:00 min). 3 mvt: Presto agitato (click to go at 8:05 min). Adagio sostenuto The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a "lamentation", mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or "very quietly", and the loudest it gets is mezzo forte or "moderately loud". The adagio sostenuto has made a powerful impression on many listeners; for instance, Berlioz said of it that it "is one of those poems that human language does not know how to qualify. The work was very popular in Beethoven's day, to the point of exasperating the composer himself, who remarked to Carl Czerny, "Surely I've written better things. Allegretto The second movement is a relatively conventional scherzo and trio, a moment of relative calm written in D-flat major, the enharmonic equivalent of C♯ major, the more easily-notated parallel major of C♯ minor. Franz Liszt described the second movement as "a flower between two chasms." The slight majority of the movement is in piano, but a handful of sforzandos and forte-pianos helps to maintain the movement's cheerful disposition. Presto agitato The stormy final movement (C♯ minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethoven's (also carried out in the companion sonata, Opus 27, No. 1 and later on in Opus 101) placement of the most important movement of the sonata last. The writing has many fast arpeggios and strongly accented notes, and an effective performance demands lively and skillful playing. It is thought that the C-sharp minor sonata, particularly the third movement, was the inspiration for Frédéric Chopin's Fantaisie-Impromptu, which manifests the key relationships of the sonata's three movements. Of the final movement, Charles Rosen has written "it is the most unbridled in its representation of emotion. Even today, two hundred years later, its ferocity is astonishing. Beethoven's heavy use of sforzando notes, together with just a few strategically located fortissimo passages, creates the sense of a very powerful sound in spite of the predominance of piano markings throughout. Within this turbulent sonata-allegro, there are two main themes, with a variety of variation techniques utilized. Beethoven's pedal mark See also: Piano history and musical performance, Mute (music), and Piano pedals#Beethoven and pedals At the opening of the work, Beethoven included a written direction that the sustain pedal should be depressed for the entire duration of the first movement. The Italian reads: "Si deve suonare tutto questo pezzo delicatissimamente e senza sordino". ("One must play this whole piece [meaning "movement"] very delicately and without dampers.") The modern piano has a much longer sustain time than the instruments of Beethoven's day, leaving for a rather blurry and dissonant tone. One option for dealing with this problem is to perform the work on a restored or replicated piano of the kind Beethoven knew. Proponents of historically informed performance using such pianos have found it feasible to perform the work respecting Beethoven's original direction.
From 2015, Lang Lang performs Tchaikovsky's Piano Concerto # 1 in B flat minor with Paavo Järvi conducting the Orchestre de Paris. As brilliant as this work from Tchaikovsky is, the question of its introduction has always been a sore point for critics and enthusiasts. The concerto's first theme, which follows the famous introduction, is based on a melody that Tchaikovsky heard performed by blind beggar-musicians at a market in Kamenka (near Kiev), is notable for its apparent formal independence from the rest of the movement and from the concerto as a whole, especially given its setting not in the work’s nominal key of B-flat minor but rather in D-flat major, that key's relative major. Despite the introductions very substantial nature, this first theme is only heard twice, and it never reappears at any later point in the concerto. Because of its independence from the rest of the work the introduction posed an enigma to analysts and critics alike. As definitive a puzzlement as it is, the work continues on with the rest of the first movement as well as the brilliant second and third movements seeming to be linked quite inconspicuously , albeit quite subtly. SELECTED COMPARISON: BARENBOIM/ ZUBIN MEHTA https://www.youtube.com/watch?v=c5EQ2kT3598 Who are some of the greatest Living Pianists? Read: https://www.rawassertions.com/the-13-greatest-living-classical-pianists-a-bakers-dozen/
Antonio Vivaldi - Four Seasons Budapest Strings Bela Banfalvi, Conductor You can get the exact album I have here on Amazon: http://amzn.to/1I2dNNu (affiliate). Here are the times for the specific movements: Spring 0:00 Summer 10:31 Autumn 20:59 Winter 32:48 I hope you love this recording! It is my favorite one I've heard yet. Happy Listening! AnAmericanComposer
Tchaikovsky - Waltz of the Flowers video
Watch Rachmaninoff's Piano Concerto no.3 with Anna Fedorova here: https://www.youtube.com/watch?v=1TJvJXyWDYw. Rachmaninov: Pianoconcerto no.2 op.18 Nordwestdeutsche Philharmonie o.l.v. Martin Panteleev Anna Fedorova, piano Opgenomen/recorded: Het Zondagochtend Concert, 1 september 2013 in het Koninklijk Concertgebouw, Amsterdam. Rachmaninovs Tweede pianoconcert is zijn populairste: het is te horen in vele films en is een mijlpaal in de carrière van alle grote pianisten. Het Zondagochtend Concert is een concertserie van NPO Radio 4. Kijk voor meer informatie over de reeks op http://zondagochtendconcert.radio4.nl.
Soloist: Itzhak Perlman Conductor: Eugene Ormandy Philadelphia Orchestra I'm sorry the video and audio are not quite together at the end.
Martha Argerich, piano - Charles Dutoit, conductor Orchestre de la Suisse Romande 1975
WARNING: Cannons may make dogs bark, scare your mom, leave your neighbor dumbfounded, make cats panic, wake you up in the middle of the night shouting at the top of your lungs because you think you are being robbed, scare the crap out of you, and/or blow up your ears and brains; among other things... The 1812 Overture, composed by Pyotr Ilyich Tchaikovsky in 1880. This version with cannons! No copyright infringement intended. The rights of this composition go to their respective owners. **I'm talking about the recordings**