Verunka s Marečkem..byla nuda :-P
Dokument o soudním procesu s TPB. Download link: http://uloz.to/xi2AFc3/tpb-afk-the-pirate-bay-away-from-keyboard-czsub-rar
představení "Balada pro banditu" představení " Babička"
Both moving and inspirational, this film is about the life of computer programmer, writer, political organizer and internet activist Aaron Swartz, who committed suicide at age 26 after harassment from federal prosecutors. It features interviews with his family and friends as well as the internet luminaries who worked with him. The film tells his story up to his eventual suicide and explores the questions of access to information and civil liberties that drove his work. Credit: "The Internets Own Boy: The Story of Aaron Swartz" by Brian Knappenberger. Licence: http://creativecommons.org/licenses/by-nc-sa/4.0/ http://anarchi.st
Janet Waldo (born February 4, 1924) is an American actress and voice artist with a career encompassing radio, television, animation and live-action films. She is best known in animation for voicing Judy Jetson, Penelope Pitstop and Josie McCoy in Josie and the Pussycats. She was equally famed for radio's Meet Corliss Archer, a title role with which she was so identified that she was drawn into the comic book adaptation. Waldo appeared in several dozen films in uncredited bit parts and small roles, although she was the leading lady in three Westerns, two of them starring Tim Holt. Her big break came in radio with a part on Cecil B. DeMille's Lux Radio Theater. In her radio career, she lent her voice to many programs, including Edward G. Robinson's Big Town, The Eddie Bracken Show, Favorite Story, Four-Star Playhouse, The Gallant Heart, One Man's Family, Sears Radio Theater and Stars over Hollywood. She co-starred with Jimmy Lydon in the CBS situation comedy Young Love (1949--50), and she had recurring roles on The Adventures of Ozzie and Harriet (as teenager Emmy Lou), The Red Skelton Show and People Are Funny. However, it was her eight-year run starring as teenager Corliss Archer on CBS's Meet Corliss Archer that left a lasting impression, even though Shirley Temple starred in the film adaptations, Kiss and Tell and A Kiss for Corliss. The radio program was the CBS answer to NBC's popular A Date with Judy. Despite the long run of Meet Corliss Archer, less than 24 episodes are known to exist. Waldo later turned down the offer to portray Corliss in a television adaptation. In 1948 the Meet Corliss Archer comic book, using Waldo's likeness, published by Fox Feature Syndicate, appeared for a run of three issues from March to July 1948, using the original scripts. The same year, Waldo married playwright Robert Edwin Lee, the writing partner of Jerome Lawrence. The couple had two children, and remained married until his death in 1994. Waldo made a rare on-screen television appearance when she appeared as Peggy, a teen smitten with Ricky Ricardo on a 1952 episode of I Love Lucy titled "The Young Fans" with Richard Crenna. Ten years later, Waldo again worked with Lucille Ball, this time playing Lucy Carmichael's sister, Marge, on The Lucy Show. That episode, "Lucy's Sister Pays A Visit" also featured actor Peter Marshall. She also appeared on an episode of The Andy Griffith Show as Amanda. In addition, Waldo reprised the role of Emmy Lou for some early TV episodes of The Adventures of Ozzie and Harriet. Later, she was the female lead opposite Anthony Franciosa in the short-lived sitcom Valentine's Day (1964). http://en.wikipedia.org/wiki/Janet_Waldo Shirley Mitchell (born November 4, 1919) is an American film and television actress. After moving to Chicago, she appeared in the network broadcast of The First Nighter and played small parts in various soap operas including The Story of Mary Marlin and The Road of Life. After moving to Los Angeles, she played opposite Joan Davis in The Sealtest Village Store. She also starred as Louella in The Life of Riley and joined the cast of Fibber McGee and Molly as Alice Darling in 1943. Her most prominent radio role was that of the charismatic Southern belle Leila Ransom on The Great Gildersleeve radio show beginning in September 1942. In 1953, Shirley joined the cast of I Love Lucy playing the part of Lucy Ricardo's friend Marion Strong. As of 2012, she is the only recurring adult cast member still living following the deaths of Doris Singleton in 2012 and Peggy Rea in 2011. In 1962, she played Mrs. Colton on the CBS-TV comedy series Pete and Gladys, and between 1965--1967, she appeared as neighbor Marge Thornton on NBC-TVs Please Don't Eat the Daisies. In the same year she appeared in Episode 13, Season 2 of The Dick Van Dyke Show when she played Shirley Rogers opposite Bob Crane as Harry Rogers in Somebody Has to Play Cleopatra. In 1963, she appeared on the television program The Beverly Hillbillies as Opal Clampett (the wife of Jake Clampett, an out-of-work actor). In 1966, she appeared in Green Acres as a nurse and as Oliver's old friend Wanda. Between 1967 and 1968, she portrayed Kate Bradley's cousin Mae Belle Jennings on Petticoat Junction. In 1968, she appeared in the Season 1 finale of The Doris Day Show as Mrs. Loomis, a woman who accuses Billy of stealing $5.00 from her purse after she dropped it. In 1972, she was the voice of Laurie Holiday on the Hanna-Barbera cartoon series, The Roman Holidays. In 1994, Mitchell voiced the Sneetches, cousins, Thidwick's mother and Sue the Second Fish in Storybook Weaver and later in 2004, deluxe version in Storybook Weaver Deluxe. In 2012, she voiced her guest star as Betty White in MAD episode, "Betty White & the Huntsman / Ancient Greek Mythbusters". http://en.wikipedia.org/wiki/Shirley_Mitchell
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD