Louis Armstrong - What a wonderful world ( 1967 )

Louis Armstrong - What a wonderful world  ( 1967 )

Louis Armstrong - What A Wonderful World (Lyrics)

Louis Armstrong - What A Wonderful World (Lyrics)

Good old song of Louis Armstrong - What a wonderful world. Subscribe

La vie en rose - Louis Armstrong

La vie en rose - Louis Armstrong

LYRICS Hold me close and hold me fast The magic spell you cast This is la vie en rose When you kiss me heaven sighs And tho I close my eyes I see la vie en rose When you press me to your heart I'm in a world apart A world where roses bloom And when you speak...angels sing from above Everyday words seem...to turn into love songs Give your heart and soul to me And life will always be La vie en rose

Louis Armstrong - Hello Dolly Live

Louis Armstrong - Hello Dolly Live

Louis Armstrong performing his hit Hello Dolly on a stage. Reccomended to watch.

The Best Of Louis Armstrong (2h)

The Best Of Louis Armstrong (2h)

Download the full album (50 tracks) : http://amzn.to/1uEzM6t BnF collection sonore presents the best of Louis Armstrong : 1) Louis Armstrong and his Orchestra - Drop That Stack 2) Louis Armstrong and his Orchestra - Old Kentucky home 3) Louis Armstrong and his Orchestra - St James Infirmary 4) Louis Armstrong and his Orchestra - Panama 5) Louis Armstrong and his Orchestra - Hot Time in the Hot Town Tonight 6) Louis Armstrong and his Orchestra - Dr Jazz 7) Louis Armstrong and his Orchestra - I Ain't Gonna Give Nobody None of my Jelly-Roll 8) Louis Armstrong and his Orchestra - Jelly Roll Blues 9) Louis Armstrong and his Orchestra - Chimes Blues 10) Louis Armstrong and his Orchestra - I Want a Big Buter and Egg Man 11) Louis Armstrong and his Orchestra - Frankie and Johnny Subscribe here http://bit.ly/1etmIX9 to discover new videos from the collection and find all songs of BnF collection sonore – Jazz & Blues, recorded and published between 1900 and 1962. ------------------------------------ Music treasures from the vaults of the French National Library, digitized from original first edition vinyl pressings. BnF collection sonore is a catalog of more than 200 000 original vinyl recordings made available on all streaming platforms. Having archived all albums ever published in France from 1949 to 1962, the French National Library (Bibliothèque nationale de France) holds one of the biggest vinyl collections in the world.

Ella Fitzgerald and Louis Armstrong - Ella and Louis (1956) - [Classic Vocal Jazz Music]

Ella Fitzgerald and Louis Armstrong - Ella and Louis (1956) - [Classic Vocal Jazz Music]

Classic Mood Experience The best masterpieces ever recorded in the music history. Join our Youtube: https://goo.gl/8AOGaN Join our Facebook: http://goo.gl/5oL723 Ella Fitzgerald and Louis Armstrong - Ella and Louis (1956) 00:00 Can't we be Friends? (1956) 03:44 Isn't This a Lovely Day? (1956) 09:56 Moonlight in Vermont (1956) 13:30 They can't Take That Away from Me (1956) 18:05 Under a Blanket of Blue (1956) 22:28 Tenderly (1956) 27:21 A Foggy Day (in London Town) (1956) 31:50 Stars Fell on Alabama (1956) 35:18 Cheek to Cheek (1956) 41:07 The Nearness of You (1956) 46:42 April in Paris (1956) Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer often referred to as the First Lady of Song, Queen of Jazz and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After tumultuous teenage years, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country, but most often associated with the Savoy Ballroom in Harlem. Fitzgerald's rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. Taking over the band after Webb died, Fitzgerald left it behind in 1942 to start a solo career that would last effectively the rest of her life. Signed with manager and Savoy co-founder Moe Gale from early in her career, she eventually gave managerial control for her performance and recording career to Norman Granz, who built up the label Verve Records based in part on Fitzgerald's vocal abilities. With Verve she recorded some of her more widely noted works, particularly her interpretation of the Great American Songbook. While Fitzgerald appeared in movies and as a guest on popular television shows in the second half of the twentieth century, her musical collaborations with Louis Armstrong, Duke Ellington, and The Ink Spots were some of her most notable acts outside of her solo career. These partnerships produced recognizable songs like "Dream a Little Dream of Me", "Cheek to Cheek", "Into Each Life Some Rain Must Fall", and "It Don't Mean a Thing (If It Ain't Got That Swing)". In 1993, Fitzgerald capped off her sixty-year career with her last public performance. Three years later, she died at the age of 79, following years of decline in her health. After her passing, Fitzgerald's influence lived on through her fourteen Grammy Awards, National Medal of Arts, Presidential Medal of Freedom, and tributes in the form of stamps, music festivals, and theater namesakes. FROM WIKIPEDIA: https://en.wikipedia.org/wiki/Ella_Fitzgerald Louis Armstrong (August 4, 1901 – July 6, 1971),[1] nicknamed Satchmo[2] or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz. His career spanned five decades, from the 1920s to the 1960s, and different eras in jazz.[3] Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance.[4] With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing. Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation in the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era. FROM WIKIPEDIA: https://en.wikipedia.org/wiki/Louis_Armstrong Ella and Louis is a 1956 studio album by Ella Fitzgerald and Louis Armstrong, accompanied by the Oscar Peterson Quartet. Having previously collaborated in the late 1940s for the Decca label, this was the first of three albums that Fitzgerald and Armstrong were to record together for Verve Records, later followed by 1957's Ella and Louis Again and 1959's Porgy and Bess. FROM WIKIPEDIA: https://en.wikipedia.org/wiki/Ella_and_Louis

Louis Armstrong - What A Wonderful World [HQ]

Louis Armstrong - What A Wonderful World [HQ]

Subscribe http://bit.ly/2mictQ3 What A Wonderful World Lyrics I see trees of green, red roses too I see them bloom for me and you And I think to myself what a wonderful world I see skies of blue and clouds of white The bright blessed day, the dark sacred night And I think to myself what a wonderful world The colors of the rainbow so pretty in the sky Are also on the faces of people going by I see friends shaking hands saying how do you do They're really saying I love you I hear babies crying, I watch them grow They'll learn much more than I'll never know And I think to myself what a wonderful world Yes I think to myself what a wonderful world Written by George David Weiss, Robert Thiele

Louis Armstrong - Someday [Live]

Louis Armstrong - Someday [Live]

This is the Goodyear Jazz Concert (TV) that was broadcast on April 2, 1962, New York, NY The lineup: Brown, Jewel (Vocals) Armstrong, Louis (Trumpet, Vocal) Young, Trummy (Trombone) Darensbourg, Joe (Clarinet) Kyle, Billy (Piano) Cronk, Bill (Bass) Barcelona, Danny (Drums)

Louis Armstrong - What A Wonderful World (Original Spoken Intro Version) ABC Records 1967, 1970

Louis Armstrong - What A Wonderful World (Original Spoken Intro Version) ABC Records 1967, 1970

"What a Wonderful World" [1970 Spoken Introduction Version] along with Oliver Nelson's Orchestra is a song written by Bob Thiele (as George Douglas) and George David Weiss. It was first recorded by Louis Armstrong and released as a single in 1967. Thiele and Weiss were both prominent in the music world (Thiele as a producer and Weiss as a composer/performer). Armstrong's recording was inducted in the Grammy Hall of Fame in 1999. Intended as an antidote for the increasingly racially and politically charged climate of everyday life in the United States, the song also has a hopeful, optimistic tone with regard to the future, with reference to babies being born into the world and having much to look forward to. The song was initially offered to Tony Bennett, who turned it down. Thereafter, it was offered to Louis Armstrong. Louis Armstrong (August 4, 1901 -- July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana. Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing (vocalizing using sounds and syllables instead of actual lyrics). Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was severely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society that were highly restricted for a black man. Armstrong died of a heart attack in his sleep on July 6, 1971 at the age of 69, 11 months after playing a famous show at the Waldorf-Astoria's Empire Room. He was residing in Corona, Queens, New York City, at the time of his death. He was interred in Flushing Cemetery, Flushing, in Queens, New York City. His honorary pallbearers included Bing Crosby, Ella Fitzgerald, Dizzy Gillespie, Pearl Bailey, Count Basie, Harry James, Frank Sinatra, Ed Sullivan, Earl Wilson, Alan King, Johnny Carson and David Frost. Peggy Lee sang The Lord's Prayer at the services while Al Hibbler sang "Nobody Knows the Trouble I've Seen" and Fred Robbins, a long-time friend, gave the eulogy. Armstrong was posthumously awarded the Grammy Lifetime Achievement Award in 1972 by the Academy of Recording Arts and Sciences. This Special Merit Award is presented by vote of the Recording Academy's National Trustees to performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording. Recordings of Armstrong were inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance." "Some of you young folks been saying to me " Hey Pops, what you mean 'What a wonderful world'? How about all them wars all over the place? You call them wonderful? And how about hunger and pollution? That ain't so wonderful either." Well how about listening to old Pops for a minute. Seems to me, it aint the world that's so bad but what we're doin' to it. And all I'm saying is see what a wonderful world It would be if only we'd give it a chance. Love baby, love. That's the secret, yeah. If lots more of us loved each other we'd solve lots more problems. And then this world would be gasser. That's wha' ol' Pops keeps saying." I see trees of green, red roses too I see them bloom, for me and you And I think to myself What a wonderful world I see skies of blue, and clouds of white The bright blessed day, dark sacred night And I think to myself What a wonderful world The colors of the rainbow, so pretty in the sky Are also on the faces, of people going by I see friends shaking hands, sayin', "How do you do?" They're really sayin', "I love you" I hear babies cryin', I watch them grow They'll learn much more, than I'll ever know And I think to myself What a wonderful world Yes, I think to myself What a wonderful world Oh yeah!

Louis Armstrong "What A Wonderful World" LIVE 1970 (Reelin' In The Years Archives)

Louis Armstrong "What A Wonderful World" LIVE 1970 (Reelin' In The Years Archives)

Reelin’ In The Years Productions has available for licensing over 20,000 hours of music footage spanning 90 years. Additionally, we have more than 5,000 of hours of in-depth interviews with the 20th century’s icons of Film and Television, Politics, Comedy, Literature, Art, Science, Fashion and Sports. Please visit ‪http://reelinintheyears.com‬ to search our online database. Note: these clips are available on YouTube for producers, directors, researchers and clearance companies for potential use in their projects. Our website on the screen is to protect the footage from being used without our consent and so industry professionals can find us to properly license the footage.

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