8.Mozart's Requiem-Lacrimosa (lyrics+translation)

8.Mozart's Requiem-Lacrimosa (lyrics+translation)

Lacrimosa (III. Sequentia) from Mozart's Requiem with Latin lyrics and English translation and my drawing. Slovak philharmonic orchestra and choir The translations are not mine, they come from CD booklet + some translations found on the internet.

Mozart's Requiem – "Lacrimosa" with lyrics and English translation

Mozart's Requiem – "Lacrimosa" with lyrics and English translation

Requiem in D Minor, K. 626: 3. Sequentia: Lacrimosa The Requiem Mass in D minor by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death on December 5. Academy of St. Martin in the Fields Chorus, Sir Neville Marriner & Academy of St. Martin in the Fields

Mozart Lacrimosa lyrics

Mozart Lacrimosa lyrics

None of the pictures or song belong to me, full credit goes to their creators.

Evanescence- Lacrymosa (With Lyrics)

Evanescence- Lacrymosa (With Lyrics)

The second video for "Lacrymosa" is finally here! Here's the link: http://www.youtube.com/watch?v=hnBCLOwjYMA What inspired Amy about "Lacrymosa" "I saw Amadeus when I was nine years old and fell in love with Mozart. The part of Mozart's Requiem called "Lacrimosa" is my favorite piece of music ever. I always wished we could cover it, but with programming and guitars and make it cool. It's our moment to try all the things I wanted to and couldn't, so I started messing with it in Protools. Terry wrote some riffs and turned it into this awesome metal epic". Meanings: Lacrimosa= From the latin language meaning "flowing tears" or "full of tears" Dona eis requiem= A song or hymn of mourning composed or performed as a memorial to a dead person. This is off of Evanescences album The Open Door! This is for enjoyment purposes only. I hope you enjoy it!! ***Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use/s*** **I DO NOT OWN THE LYRICS, SONG, OR PICTURES... ALL RIGHTS GO TO THEIR CREATORS/ARTISTS** ---COMMENT, RATE, SUBSCRIBE---

Adele - Hello / Lacrimosa (Mozart) – The Piano Guys

Adele - Hello / Lacrimosa (Mozart) – The Piano Guys

► Get our latest album "UNCHARTED" here: http://hubs.ly/H04ZSnT0 ► WE'RE ON TOUR! http://goo.gl/fmybn0 ► DOWNLOAD THIS SONG: http://goo.gl/pnPhyD ► GET THE SHEET MUSIC: https://goo.gl/ytKI3W ________________________ ► Also Order "Uncharted" here: ► iTunes - http://smarturl.it/Uncharted-itunes ► Amazon - http://smarturl.it/Uncharted-dlx-cd ► Google Play - http://smarturl.it/Uncharted-gp ► Listen to tracks from the new album "Uncharted" here: ► Spotify - http://smarturl.it/Uncharted-str ► Apple Music - http://smarturl.it/Uncharted-am ________________________ ► SUBSCRIBE: http://smarturl.it/TPGsubscribe1 ► FACEBOOK: http://www.facebook.com/PianoGuys ► TWITTER: http://www.twitter.com/PianoGuys Story behind the song Hello/Lacrimosa (or "Chello," as it has affectionately been called in the studio) is a musical experiment bridging 18th-century spiritualism and 21st-century secularism. Imagine Mozart and Adele in the same room in an intense co-write session, quill and pen in hand, respectively. Picturing this hypothetical hangout helped to spark the creative combination of the two. Haven't heard "Lacrimosa" from Mozart's Requiem? It is a powerful piece of music. Listen here: https://www.youtube.com/watch?v=mhYCaQkbkyw As you can hear, both tunes' divergent traits presented challenges. One wallows in a wide, painstakingly minor 12/8 time and the other drives a poignant bi-polar major/minor common time. One draws its power from the fullness of a grand chorus and orchestra, the other from the isolation of a lone voice and piano. One conforms to age-old counterpart canon and musical theory, while the other is conveyed via verse/chorus pop song parlance. However, they share the same fundamental feeling -- "Lacrimosa" (meaning "weeping" or "tearful") mournfully bemoans spiritual death, while "Hello" gripes about relationship regrets. Different centuries. Different realms. Same emotion. Perhaps we aren't as far from our predecessors as we think we are. You'll hear towards the end of the tune an attempt by both motifs to meet in the middle as the two textured melodies intertwine. In their respective stories both plead for reconciliation. Neither seemed to find it apart, but together they sing of a second chance. The sounds you hear were created by 100 tracks of acoustic and electric cello, an instrument that has been emoting for centuries – an apt candidate for the task of tying together "Hellocrimosa" (our alternate affectionate title). This video was filmed at one of our favorite locations: Tuacahn Amphitheatre, utilizing different patterns and settings of giant mirrors, diffused light, and some very cold fog. How is the camera not reflected in the mirrors? Simple. Magic! Credits "Hello" as performed by Adele (written by Adele and Greg Kurstin) "Lacrimosa" from Wolfgang Amadeus Mozart's Requiem The Piano Guys arrangement produced and written by Al van der Beek & Steven Sharp Nelson Performed by Steven Sharp Nelson: electric & acoustic cellos, cello percussion Al van der Beek: percussion, vocal textures Recorded, mixed and mastered by Al van der Beek at TPG Studios in Utah Video filmed and produced by Paul Anderson & Shaye Scott Edited by Shaye Scott Project Manager & Behind the Scenes: Kyle Fisher Photographer: Addison Foote Location coordinators: Jeremy Crawford & Frank Nelson Technical Director: Wes Hamblin Special thanks: Tuacahn Amphitheatre (https://www.tuacahn.org/Online/defaul...) Jones Paint & Glass. (http://www.jonespg.com) Check more of our great videos!: Christina Perri - A Thousand Years (Piano/Cello Cover) - ThePianoGuys - https://youtu.be/QgaTQ5-XfMM Let It Go (Disney's "Frozen") Vivaldi's Winter - ThePianoGuys - https://youtu.be/6Dakd7EIgBE Beethoven's 5 Secrets - OneRepublic - ThePianoGuys - https://youtu.be/mJ_fkw5j-t0 Titanium / Pavane (Piano/Cello Cover) - David Guetta / Faure - ThePianoGuys - https://youtu.be/fz4MzJTeL0c One Direction - What Makes You Beautiful (5 Piano Guys, 1 piano) - ThePianoGuys - https://youtu.be/0VqTwnAuHws Coldplay - Paradise (Peponi) African Style (ft. guest artist, Alex Boye) - ThePianoGuys - https://youtu.be/Cgovv8jWETM Adele - Hello / Lacrimosa (Mozart) – ThePianoGuys - https://youtu.be/WZjFMj7OHTw Story of My Life (One Direction -- Piano/Cello Cover) - ThePianoGuys - https://youtu.be/yET4p-r2TI8 This is Your Fight Song (Rachel Platten Scottish Cover) - ThePianoGuys - https://youtu.be/mOO5qRjVFLw David Guetta - Without You ft. Usher (Piano/Cello Cover) - ThePianoGuys - https://youtu.be/dfRtPbBFoGg

Evanescence- Lacrymosa lyrics

Evanescence- Lacrymosa lyrics

hope you like it..

Mozart - Lacrimosa

Mozart - Lacrimosa

Mozart - Lacrimosa

Lacrymosa - Weltschmerz (Smitten Song)

Lacrymosa - Weltschmerz (Smitten Song)

From: I Was Once (Oh) Lyrics: He's not a parrot and he thinks he's a pie But he's just a perfume wearing dotted yellow line And I respect that And, "there are some mornings when the sky looks like a road," she says And how I wish I'd walked along that road to your house And I regret that 'Cause tucked through doors in water Through windows in the sky There's a boy who wants me to say something pretty And I can't to save my life A balloon stuck in a tree Is a sad song let go of the string Up, up, and away Bursting in your face, your face No bread, bread box, dead brain, brain pox You didn't drink your brain away, you locked it in a box And I want to find it And I can do it on my own Men aren't compasses, I know And I hate it 'Cause for him two lonely people only double something sad But I really think two lonely people cut lonely in half And a solid yellow line is just two dotted yellow lines And a boy as good as you is something I can't define And that's why I can't say what I need to say But I hope this has been pretty anyway

Mozart - Requiem in D minor (Complete/Full) [HD]

Mozart - Requiem in D minor (Complete/Full) [HD]

Wolfgang Amadeus Mozart: Requiem in D minor (K.626) -- Live Version. I. Introitus: Requiem aeternam (choir with soprano solo) (0:00) II. Kyrie (choir) (5:28) III. Sequentia: - Dies irae (choir) (7:55) - Tuba mirum (solo quartet) (10:02) - Rex tremendae majestatis (choir) (13:47) - Recordare, Jesu pie (solo quartet) (16:22) - Confutatis maledictis (choir) (22:13) - Lacrimosa dies illa (choir) (24:32) * IV. Offertorium: - Domine Jesu Christe (choir with solo quartet) (27:48) - Versus: Hostias et preces (choir) (31:23) V. Sanctus & Benedictus: - Sanctus (choir) (35:46) - Benedictus (solo quartet and choir) (37:46) VI. Agnus Dei (choir) (42:50) VII. Communio: - Lux aeterna (soprano solo and choir) (46:03)

Conductor Kenneth Woods decodes the Mozart Requiem

Conductor Kenneth Woods decodes the Mozart Requiem

Principal Conductor of the English Symphony Orchestra, Kenneth Woods, reveals some of the layers of meaning hidden in the opening bars of the Agnus Dei from Mozart's Requiem. The ESO will be performing the Mozart Requiem on the 24th of April at St John's Smith Square. Tickets are available here: http://www.sjss.org.uk/events/mozarts-requiem-origins Concert information: 24 April, 2014 7:30 PM English Symphony Orchestra Kenneth Woods- principal conductor St John’s Smith Square Smith Square, London SW1P 3HA Academia Musica Choir Sofia Larsson- soprano, Emma Curtis- contralto, Matthew Minter-tenor, Brain Bannatyne-Scott- bass Handel- Alleleuia from Dettingen Anthem WF Bach- Adagio from Sinfonia in D Minor Handel- Funeral Anthem for Queen Caroline, The Ways of Zion do MournMozart- Requiem in D minor Tickets £20, £15, £10. %25 discount for seniors, %50 discount for students/children BOX OFFICE- St John’s Smith Square http://www.sjss.org.uk/events/mozarts-requiem-origins Sponsored by All Pay Mozart’s Requiem has been shrouded in mystery and rumour since it was first published. Commissioned by an anonymous stranger and completed for performance after Mozart’s death under controversial circumstances, the Requiem is also a work with a complex and intricate connection to Mozart’s musical forebears. ESO Principal Conductor Kenneth Woods takes listeners on a journey of discovery into the origins of Mozart’s last and greatest work, heard here alongside some of the works Mozart turned to for inspiration in the final weeks of his life. http://eso.co.uk http://kennethwoods.net

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