Jazdenka Test jazdenky KIA Cee´d II JD (2012-2018) - TOPSPEED.sk

Jazdenka Test jazdenky KIA Cee´d II JD (2012-2018) - TOPSPEED.sk

Jazdenka Test jazdenky KIA Cee´d II JD (2012-2018) - TOPSPEED.sk web: https://www.topspeed.sk/ fb: https://www.facebook.com/TopSpeed.sk instagram: https://www.instagram.com/topspeed.sk/

Nash 2016 Carp Fishing DVD + Eurobanx 2 Alan Blair Full Movie

Nash 2016 Carp Fishing DVD + Eurobanx 2 Alan Blair Full Movie

With more action, more venues, more countries, more tips, and most importantly more beautiful carp than ever before, it’s simply our best yet. Presented as a series of short films, discover new bedchairs, the slick Scope Black-Ops range, great value Dwarf and H-Gun, high performance NR Toro rods and more. Full length chapters come from Simon Crow recounting a year to remember on The Key®, Carl and Alex in the thick of the action as usual, Alan Blair fulfilling a dream as he visits the iconic Redmire Pool, and Jordan Dicks making winter fishing look easy. And last but not least we present the eagerly awaited feature-length EuroBanx 2. Join Alan Blair and Oli Davies reunited on an epic eight day road trip across Europe crossing seven countries and covering 3000 miles. Strap in and enjoy the ride! Music track listing for Eurobanx 2: matti_audio : https://soundcloud.com/matti-487944481 dirty paws bootleg 4:01:45 cut & shut 3:17:48 urban banx mess about 2:29:25 austrian dub 2:14:19 leave 3:00:16 no ball games 2:59:19 swordfish 2:52:23 the woods 2:37:07 wellington boots 3:31:01 pola & bryson : http://soulventrecords.com https://www.facebook.com/polabryson bad habit 2:08:25 the music 3:52:09 dorian : https://soundcloud.com/dr-dorian deep inside (dubplate) 3:43:32 waiting (dubplate) 3:07:27 the storm (w / roy green & protone) (innerground recordings) 3:32:39 nathan barato : when i do my thing - pirate copy remix (kaluki records) 3:11:50 https://pro.beatport.com/track/when-i-do-my-thang-pirate-copy-remix/7318181 octo pi : https://www.facebook.com/ComplexRecor... fly away (complex records) 2:33:25 imba : https://www.facebook.com/Imba.DnB/ departure 2:27:07 flava in ya ear : https://www.facebook.com/FlavaInYaEar83 nikolone damasch (flava in ya ear) mikra asia III 3:15:00 dj able (flava in ya ear) puzy ruff 2:46:18 ali 3:05:46 direkt ausm hirn 3:25:21 Dr.J 3:49:06 Check out our Website: http://nashtackle.co.uk Like us on Facebook: https://www.facebook.com/OfficialNash... Follow us on Instagram: http://instagram.com/officialnashtackle Hot news on our Twitter: https://twitter.com/NashTackleUK

Vojtaano - Budulínek vs. Galantní Jelen (Official Video)

Vojtaano - Budulínek vs. Galantní Jelen (Official Video)

ALBUM THE BEAST OF VOJTAANO JE VENKU!!! https://wmcz.lnk.to/TheBeastOfVojtaano https://www.facebook.com/Vojtaano84 ilustrace, rezie: Jakub Dušek hudba: Dj Roxtar mix a mastering : Ondřej Žatkuliak/ Rooftop Studio

Sokolov: Noclehárna poskytne spaní pro 26 lidí bez domova (TV Západ)

Sokolov: Noclehárna poskytne spaní pro 26 lidí bez domova (TV Západ)

Dosud provizorní řešení pro nocování bezdomovců v Sokolově během zimy se konečně změnilo. Vojenský stan na Bohemii, který sloužil roky jako přístřešek v mrazivých nocích, se v letošním roce již nepostaví. Místo něj mají poblíž nádraží zcela novou noclehárnu pro téměř tři desítky lidí bez domova. „Tím, že stan pro bezdomovce v letošním roce dosloužil a město Sokolov stálo před rozhodnutím co dál, rozhodli jsme se celé zastupitelstvo, že koupíme budovu za 2 100 000 korun, kterou zrekonstruujeme pro potřeby noclehárny. Toto se podařilo a dnes jsme svědky toho, že slavnostně otevíráme, byť od 1. prosince zde přespávají klienti,“ popsala místostarostka Sokolova Renata Oulehlová. „Ženy a muži spí v noclehárně odděleně, stejně tak mají oddělené i sociální zařízení - toalety, sprchu,“ ukazuje v jednom z pokojů Milan Hloušek z organizace Pomoc v nouzi o.p.s. Během slavnostního představení zařízení, kterého se zúčastnili kromě zástupců města a sociálních služeb i novináři a ti, kteří pomáhají se sbírkou oblečení, došlo k představení projektu i podmínek provozu. Ty se poskytují sedm dní v týdnu, vždy od 20 hodin večer. „Pracovník přijde dolů ke dveřím, po zazvonění na vrátník a přijme nejvíce dva klienty najednou, které odvede nahoru a s druhým pracovníkem, který tu je, klienta přijímají. Zapíší ho do knihy, vydají mu věci ke sprchování, ložní prádlo, ukáží mu, kde a jak se může vysprchovat, kde bude spát, vysvětlí mu provoz, pokud je nový a klient je ubytován,“ popsala proceduru vedoucí služby Iveta Leischová. Přihlásit se o nocleh mohou lidé do 22 hodin. Nesmí být pod vlivem alkoholu nebo drog, jinak nejsou vpuštěni. „Jeho hranice je jedno promile, takže neznamená, když si klient dal někde jedno pivo a přijde do noclehárny, že bychom ho nepustili, pustíme a poté je tu aktuální samozřejmě drogové omámení, kdy máme možnost použít test drogový. V případě, že je klient aktuálně pod vlivem drog, tak také nemůže být vpuštěn. Jedná se zejména o ochranu zdraví a života jak ostatních klientů, tak zaměstnanců, proto tady tyhle limity jsou,“ uvedla Leischová. Noclehárna plní důležitou funkci nejen pro bezdomovce, ale i pro společnost. Lidé bez přístřeší si nemusí hledat nocleh ve sklepích domů nebo nemocnici a neohrožují tím ostatní. Noclehárna také spolupracuje s lékaři. „Zaměstnanci jsou informováni o tom, jak jednotlivé onemocnění jak infekční, tak parazitální vypadají, takže v případě, že detekují takového uživatele, pak máme síť lékařů, se kterými máme spolupráci a které zkontaktují. Někteří jsou v nemocnici Sokolov, někteří jsou soukromými lékaři. Spolupracujeme někdy i s psychiatry, protože lidi bez přístřeší mívají různé fóbie, mívají různá jiná onemocnění, takže i tato spolupráce je navázána,“ doplnila Leischová. Využití budovy je zatím jen částečné, ale v plánu je i úprava zbylých prostor. „Ta přestavba, ta rekonstrukce je dvojfázová, v první fázi tedy vznikla noclehárna. Teď nás čeká rekonstrukce přízemí v příštím roce, kde vznikne denní centrum pro lidi bez přístřeší,“ nastínila budoucnost Oulehlová. Opravy denního centra budou financovány z dotace přes Agenturu pro sociální začleňování.

Our Miss Brooks: Conklin the Bachelor / Christmas Gift Mix-up / Writes About a Hobo / Hobbies

Our Miss Brooks: Conklin the Bachelor / Christmas Gift Mix-up / Writes About a Hobo / Hobbies

Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks

Our Miss Brooks: Business Course / Going Skiing / Overseas Job

Our Miss Brooks: Business Course / Going Skiing / Overseas Job

Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks

The Great Gildersleeve: Minding the Baby / Birdie Quits / Serviceman for Thanksgiving

The Great Gildersleeve: Minding the Baby / Birdie Quits / Serviceman for Thanksgiving

The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve

Suspense: Stand-In / Dead of Night / Phobia

Suspense: Stand-In / Dead of Night / Phobia

The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29

The Great Gildersleeve: Leroy's Paper Route / Marjorie's Girlfriend Visits / Hiccups

The Great Gildersleeve: Leroy's Paper Route / Marjorie's Girlfriend Visits / Hiccups

The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve

Words at War: Headquarters Budapest / Nazis Go Underground / Simone

Words at War: Headquarters Budapest / Nazis Go Underground / Simone

Nazi Germany, also known as the Third Reich, is the common name for Germany when it was a totalitarian state ruled by Adolf Hitler and his National Socialist German Workers' Party (NSDAP). On 30 January 1933 Hitler became Chancellor of Germany, quickly eliminating all opposition to rule as sole leader. The state idolized Hitler as its Führer ("leader"), centralizing all power in his hands. Historians have emphasized the hypnotic effect of his rhetoric on large audiences, and of his eyes in small groups. Kessel writes, "Overwhelmingly...Germans speak with mystification of Hitler's 'hypnotic' appeal..."[4] Under the "leader principle", the Führer's word was above all other laws. Top officials reported to Hitler and followed his policies, but they had considerable autonomy. The government was not a coordinated, cooperating body, but rather a collection of factions struggling to amass power and gain favor with the Führer.[5] In the midst of the Great Depression, the Nazi government restored prosperity and ended mass unemployment using heavy military spending and a mixed economy of free-market and central-planning practices.[6] Extensive public works were undertaken, including the construction of the Autobahns. The return to prosperity gave the regime enormous popularity; the suppression of all opposition made Hitler's rule mostly unchallenged. Racism, especially antisemitism, was a main tenet of society in Nazi Germany. The Gestapo (secret state police) and SS under Heinrich Himmler destroyed the liberal, socialist, and communist opposition, and persecuted and murdered Jews and other "undesirables". It was believed that the Germanic peoples—who were also referred to as the Nordic race—were the purest representation of the Aryan race, and were therefore the master race. Education focused on racial biology, population policy, and physical fitness. Membership in the Hitler Youth organization became compulsory. The number of women enrolled in post-secondary education plummeted, and career opportunities were curtailed. Calling women's rights a "product of the Jewish intellect," the Nazis practiced what they called "emancipation from emancipation."[7] Entertainment and tourism were organized via the Strength Through Joy program. The government controlled artistic expression, promoting specific forms of art and discouraging or banning others. The Nazis mounted the infamous Entartete Kunst (Degenerate Art) exhibition in 1937.[8] Propaganda minister Joseph Goebbels made effective use of film, mass rallies, and Hitler's hypnotizing oratory to control public opinion.[9] The 1936 Summer Olympics showcased the Third Reich on the international stage. Germany made increasingly aggressive demands, threatening war if they were not met. Britain and France responded with appeasement, hoping Hitler would finally be satisfied.[10] Austria was annexed in 1938, and the Sudetenland was taken via the Munich Agreement in 1938, with the rest of Czechoslovakia taken over in 1939. Hitler made a pact with Joseph Stalin and invaded Poland in September 1939, starting World War II. In alliance with Benito Mussolini's Italy, Germany conquered France and most of Europe by 1940, and threatened its remaining major foe: Great Britain. Reich Commissariats took brutal control of conquered areas, and a German administration termed the General Government was established in Poland. Concentration camps, established as early as 1933, were used to hold political prisoners and opponents of the regime. The number of camps quadrupled between 1939 and 1942 to 300+, as slave-laborers from across Europe, Jews, political prisoners, criminals, homosexuals, gypsies, the mentally ill and others were imprisoned. The system that began as an instrument of political oppression culminated in the mass genocide of Jews and other minorities in the Holocaust. Following the German invasion of the Soviet Union in 1941, the tide turned against the Third Reich in the major military defeats of the Battle of Stalingrad and the Battle of Kursk in 1943. The Soviet counter-attacks became the largest land battles in history. Large-scale systematic bombing of all major German cities, rail lines and oil plants escalated in 1944, shutting down the Luftwaffe (German Air Force). Germany was overrun in 1945 by the Soviets from the east and the Allies from the west. The victorious Allies initiated a policy of denazification and put the Nazi leadership on trial for war crimes at the Nuremberg Trials. http://en.wikipedia.org/wiki/Nazi_Germany

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