Childhood abuse can have far reaching effects. From insecurities to intimacy issues, from not daring to trust people to difficulties making friends, the effects of childhood abuse can show in any area of your life. Childhood abuse can develop into lifelong issues, or even Post Traumatic Stress Disorder. Today on psych2go, we will learn about different types of abuse. Needless to say, these might be triggering for people so be watchful of what you are comfortable with reading about. There are many more types, so feel free to add others in the comments. Article & research by Kayleigh H: https://psych2go.net/childhood-abuse-types-which-others/ If you enjoyed this video, you can support us by grabbing one of our solar planet bracelet here: https://goo.gl/1XXgG1 or t-shirt here: https://goo.gl/sfWmCZ Happy Sunday and thank you for all the support! Use the discount code: Psych2Go to get 10% off on either items. Sound track: Better Days - Bensound Time Stops - Silent Partner
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Follow Me on: Instagram................ http://instagram.com/praveenET Twitter...................... https://twitter.com/PraveenMohanET Facebook.................https://www.facebook.com/praveenmohanfans Website.................... http://www.phenomenalplace.com Hey guys, in this video I am going to show you some solid evidence of ancient machining technology at Hoysaleswara temple. There is something very strange about these pillars. If you look closely, you can see these minute circular marks all around the pillar. These are created as a result of machining the pillar on a lathe, this process is called turning. There is no way to achieve this with chisels and hammers manually. If you look at these pillars, it is crystal clear that they were made with machines. In fact, archeologists agree that these pillars were created in a lathe, but offer no convincing explanation as to how these huge pillars were machined, 900 years ago. Nowadays, we are able to create these fascinating grooves and designs on a lathe, but machining a 12 foot tall stone pillar would be a very difficult job, even today. So, how were these pillars created with amazing perfection in ancient times? Did ancient builders use machines and advanced tools, just like what we use today? If this is true, is it possible that they also carved these machines or tools in this temple? Here you can see a very strange device in the hands of a god called Masana Bhairava. This clearly represents a type of gear mechanism called planetary gears. The outer Gear has 32 teeth and the inner gear has exactly half the number or 16 teeth, which is precisely how we use reduction gears today. If this were just an imaginary tool, how could the ancient sculptors come up with this gear ratio of 2:1? Even more interesting, we can also see a fastener that goes around this mechanism and is locked in at the center. Today, we use the exact same technology, we use something called a circlip lock or a snap ring to keep these things in place. If historians are right, how could primitive people, working with chisels and hammers imagine such a mechanism? Is it possible that advanced machining technology was used 900 years ago? Is this why, we see such perfect pillars? What's more interesting is that this god is called MasanaBhairava which means God of measurement. Is it a coincidence that the God of measurement is holding an advanced tool? Read the rest of the story here: https://goo.gl/Np9Dr2
Today was busy for the ten in a tent. they participated in the Lindsay LipDub and let more people know what they are up to in Victoria Park
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Get the track! ♪ iTunes ▶ http://apple.co/2n9Y4IC ♪ Spotify ▶ http://spoti.fi/2mGS0mM ♪ Google Play ▶ http://bit.ly/2n2AvB1 ♪ Amazon Music ▶ http://amzn.to/2n9rfLA ♪ BandCamp ▶ http://bit.ly/2mFVerw ♪ SoundCloud ▶ https://soundcloud.com/neotonic/ We have a new store with ChaoticK9 stickers! https://chaotick9.com/store Follow on Instagram ▶ https://instagram.com/ChaoticCanineCulture Follow on Twitter ▶ https://twitter.com/ChaoticK9 Like us on Facebook ▶ https://fb.com/ChaoticK9 Follow CK9C on Snapchat ▶ chaotic-jack Music by ▶ ChaoticCanineCulture [ CK9C ] Vocal feature ▶ Elizabeth Ann https://www.youtube.com/channel/UCUi2_zgw1I634-M7szT3PAw Animation by ▶ XGBX Dasian https://www.youtube.com/channel/UCMlVbAybqKFZMlJIY4-n47QI Album Artwork ▶ Melanie: https://miiiiind.tumblr.com/ Logo by ▶ Alex Join CK9C's DISCORD server: https://discord.gg/kapv9fV Instrumental Track ▶ https://youtu.be/F0gptATxtFg -------------------------------------------- RULES TO USE THIS SONG IN YOUR VIDEO https://chaotick9.com/music-usage-terms/ -------------------------------------------- "You Can't Hide" is the latest single off of the FINAL ACT album; a full album dedicated to the Five Nights at Freddy's video game - Sister Location. Stay tuned for the next FNAF song, "They'll Keep You Running" - coming soon! LYRICS: Bring you down here in the dead of night Keep you working Try to survive We are secretly watching you too Trying our best to get at you RUN You can Run But You can’t hide We’ll always seek We’ll always find You can Run But You can’t hide We’ll always seek We’ll always find You can run You can try You can run But you can’t hide You can run You can try You can run But you can’t hide They’re laughing while finding I’m hiding, I’m trying I feel like she’s lying I feel like I’m dying She’s guiding me quietly Instructing me blindly Afraid of what might be I feel like I’m dying I hear a sound (it's prolly just a mouse) I see them in the dark (I only saw a spark) I know there’s someone there (Not as far as I’m aware) Why don’t you believe me? Maybe you’re right (It’s just another night) But I heard a creak (Just go back to sleep) I’m always quick to rage (so go back to your stage) (wait… Now I hear it…) RUN What’s that sound I know someone’s there Hiding in the shadows Thinking I was unaware Who’s that I see The birthday boy to be Let’s invite him over Hurry up before he’s bolder Oh Bon-Bon Let’s make this fun You can’t deter me this time No I’m done I won’t go back to my stage it’s my new trend Well let’s say hi to the new friend I knew I was right to think I would find you over here Well isn’t it intriguing that You seem to be just a little bit weary Of Bon-Bon and me Well there’s no need We know you want to deactivate us But we just can’t let that happen Every night always it never changes But we can make accidents happen We can make accidents happen We can make accidents happen We can make accidents happen -------------------------------------------- CREDITS Animation by ▶ XGBX Dasian https://www.youtube.com/channel/UCMlVbAybqKFZMlJIY4-n47Q Feature: Elizabeth Ann Written by: -Jorge A II -Elizabeth Ann ▶ http://bit.ly/2fn61DS -Kibathedemonicwolf ▶ http://bit.ly/2dSp37U Special Thanks for Mixing help! -Luis Fuentes ▶ http://bit.ly/1UXRrEl Album Art by: Melanie https://miiiiind.tumblr.com/ Logo by ▶ Alex Audio © Jorge Aguilar II 2017
Download: http://www6.zippyshare.com/v/94724802/file.html Artwork: Zirkon Text/Voce: Con Man Edy Mix/Master: Shadow Black
I built this pottery kiln and some pottery from termite mound clay to test an alternative clay source to my usual one from the creek bank. I started by making a large grate from ordinary clay. It was just under 50 cm in diameter. Next, I took dry chunks of termite nest and put them into the pit in front of the tiled roof hut. The chunks were crushed and water was added to slake the clay. The clay was trodden on to mix it. Dead palm fronds were added to the clay to stop it from cracking as it dried and to add insulation to the kiln. The mixture was trodden on again and then taken from the pit. A trench was dug to form the firebox of the kiln and a wall of clay was made in the front of the trench. A hole was dug into the wall to allow air flow into the firebox. The grate was placed on top of the firebox and the walls of the ware chamber were built around the grate. When the kiln walls were finished, grate bars made from termite clay were placed into the firebox. Grate bars are important for fireboxes as they lift the firewood off the ground allowing air to move up through the fuel bed for more efficient combustion. Burning wood as a heap on the ground allows cold air to flow up and over the coals, cooling the kiln and leaving the air unreacted with the fire wood. It still works but is much less efficient than using grate bars. The finished kiln was 50 cm tall (above grate height), 50 cm in diameter and with walls about 12.5 cm thick. The pit/firebox was about 25 cm deep and 25 cm wide with grate bars sitting half way between the ground and the circular kiln grate above. Next, for the pottery clay, I selected a termite mound built on red clay soil. I took it to the kiln area and slaked it with water and mixed it in a small pit. I crushed up an old grate from a previous kiln and mixed it into the termite clay as grog. Grog prevents pottery from cracking as it dries and helps prevent breakage when firing. I then shaped the clay into a small urn. I also made some barrel roof tiles and a smaller pot from termite clay. I then stacked the kiln with the termite pottery. To fire the pottery, I collected a large pile of dead wood and started a fire in the firebox. I heard some explosions in the kiln early on and knew something broke but continued anyway. Within an hour the kiln had heated up well and the pottery was glowing red hot. By the second hour the temperature went down illustrating an important point: if you over fill the firebox with wood the kiln will choke it and not burn efficiently. Realising this mistake I merely let the wood burn down a little so more air could get through. By 2 hours and 30 minutes the kiln was firing nicely again with all the pottery glowing low orange (about 845 c or 1550 f). I kept it at this low firing temperature for another 30 minutes. The whole firing process took about 3 hours from start to finish, a relatively short period of time for firing pottery. When I took the pottery out, one tile had broken and the urn had spalled (a piece of the outer pot broke off) possibly due to still having moisture in it. The urn was still useable though and I use it to water the cassava patch. The forge blower was well fired and is now immune to water damage, no longer needing to be carefully protected from the rain. I put it in the barrel tile shed for storage. I put the broken tile and spalled piece from the urn in a special heap of broken pottery. When I make pottery in future I can crush up these broken pots and mix it into the new clay as grog to strengthen the new ceramic items. Finally, I stored the good tiles at the barrel tiled hut as replacements for broken tiles in that structure should there be any damage in future. Termite clay is good material for making furnaces and an OK substitute for good pottery clay should it be difficult to find a better source. The termites have already processed the clay by the fact that their mouths are too small to include sticks and pebbles into their structures. As a result, the clay is very smooth and plastic. Too smooth for my liking, in fact, I’m used to working with coarser clay that has silt mixed into it naturally. I find that termite clay is either too runny when wet or cracks too easily when drier. It was difficult to form into complex shapes and it took me 2 attempts to make the urn. But for forming objects like tiles it’s OK, it can be pressed into shape and it will hold without difficulty. In future, I’d be likely to use termite clay for mass producing formed objects such as bricks, tiles, simple pots (formed over a mould) and possibly pipes, thereby conserving the dwindling clay supply from the creek bank which I’ll save for more intricate pottery. In summary, termite clay is able to be used to produce basic pottery if no other source can be found. If you have a termite nest you can make basic pottery from it.