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Piano Trio No.2 in Eb Major Franz Schubert / The Mechanic Classical Music (Cubase Cover) Save the fuel. I'm subscribing you. http://goo.gl/tVD9th Original Music Information: Artist: Franz Schubert Movie: The Mechanic Released: 1827 Useful Links: The Mechanic (2011) http://www.imdb.com/title/tt0472399/ https://en.wikipedia.org/wiki/The_Mechanic_(2011_film) Piano Trio No. 2 (Schubert) https://en.wikipedia.org/wiki/Piano_Trio_No._2_(Schubert) Franz Schubert https://en.wikipedia.org/wiki/Franz_Schubert Classical Music http://en.wikipedia.org/wiki/Classical_music
Músicas 01-Fôlha Morta (Ary Barroso) 02-My Little One (G.Howe - D.Gussin) 03-I Could Have Danced All Night (A.J.Lerner - F. Loew) 04-On The Streer Where You Live (A. J. Lerner - F. Loewe) 05-Feitiço da Vila (Noel Rosa - Vadico) 06-Sôbre as Ondas (J. Rosas) 07-So In Love (Cole Porter) 08-Nunca Jamais (Lalo Guerreiro) 09-Le Rififi (PH. Gerard - Larue) 10-Comendo Troaca (E. Mandarino - Buda do Pandeiro) 11-História de um Amor (Carlos Almaran) 12-Adios Muchachos (Sandera - Vedani)
‘C’est La Vie No.2’ from Phosphorescent’s new album ‘C’est La Vie’, out October 5th on Dead Oceans. Pre-order / Download / Stream: https://phosphorescent.ffm.to/cestlavie I wrote all night Like the fire of my words Could burn a hole up to heaven I don't write all night burning holes Up to heaven no more I stood out in the rain Like the rain might come And wash my eyes clean I don't stand out in the rain To have my eyes washed clean no more C'est la vie she says But I don't know what she means I say "Love, easy, hey come to me" C'est la vie she says But I don't know what that means I say alright, well C'est la vie I stood out in the night In an empty field and I called your name I don't stand out all night in empty fields And call your name no more I waited for days For your voice to answer to me I don't wait up for days For your voice to answer to me no more C'est la vie they say But I don't know what they mean I say love's easy if you let it be C'est la vie they say But I don't know what that means I say alright, well C'est la vie I say alright, honey C'est la vie Ain't that just how it goes, honey C'est la vie
NICOLÒ PAGANINI (1782-1840) Violin Concerto No. 2 in B minor, op. 7 "La Campanella" I. Allegro maestoso (Cadenza by Shmuel Ashkenasi) (0:07) II. Adagio (13:27) III. Rondo (La Campanella) (19:02) SHMUEL ASHKENASI, violin VIENNA SYMPHONY ORCHESTRA conducted by HERIBERT ESSER Vinyl LP - "Deutsche Grammophon" Label - Catalogue number 2535 207 Recorded in 1969 LP released in 1976
From the LP "Concerto Grosso n.2", MAL 02. 1976 Italian first pressing. In 1976, composer Luis Enriquez Bacalov collaborated again with New Trolls, this time crafting an exquisite Italian flavoured progressive rock piece. 00:00 Vivace 04:44 Andante (Most Dear Lady) 08:23 Moderato (Fare You Well Dove) NO COPYRIGHT INFRINGEMENT INTENDED! My setup: Pro-Ject RPM 5.1 SE turntable with a 3mm thick felt mat; Denon DL-110 cartridge; Fred Nachbaur High Precision Tube Phono preamp (self built), fitted with NOS Philips Miniwatt Tubes, Russian K40y9 PIO caps, Russian K72 Teflon caps, and Intertechnik Audyn Cap Plus caps; Nuova Elettronica FET (solid state) preamp for subsonic frequencies removal, fitted with Russian K40 PIO caps and Intertechnik Audyn Cap Plus caps; Tascam US-122 MKII audio interface. Audio recorded at 96 kHz/24 bit with Audacity and encoded as FLAC with Openshot video editor. Please watch in 1080p for the best audio quality. :)
**Gracias a todos por acompañarme en este GRANDÍSIMA serie. Podemos llegar a 40.000 likes tu lo sabes yo lo sé evrijuannouit** CAMISETAS: http://www.latostadora.com/folagor Te ha gustado? Suscríbete! ► http://bit.ly/18XvWH6 MUCHOS VÍDEOS DE INTERÉS ABAJO▼ Espero que hayas disfrutado de este vídeo :D Sígueme en Twitter: https://twitter.com/FolagoR Sígueme en Facebook: https://www.facebook.com/Folagor Sígueme en Twitch: http://es.twitch.tv/folagorlives Sígueme en Instagram: http://instagram.com/yoel__ramirez Leyendas de Pokémon ▼ Missingno en Pokémon X Y: http://bit.ly/1h2JlpK Misterios en Pokémon X: http://bit.ly/1lmkpXX Todas las Leyendas de Pokémon: http://bit.ly/1egtTli Mis series de Pokémon ▼ Pokémon X: http://bit.ly/1adIY3Z Pokémon Rojo Fuego: http://bit.ly/1cXbLuw Pokémon Esmeralda: http://bit.ly/1egtcs3 Pokémon Blanco 2 Streaming: http://bit.ly/KaeUjg Pokémon Platino: http://bit.ly/1jRdVVD Mi series de Pokémon Nuzlocke ▼ Pokémon Plata Nuzlocke: http://bit.ly/1fO3bl5 Pokémon Y Nuzlocke: http://bit.ly/KtmFAS Pokémon Oro Randomlocke: http://bit.ly/1qUS96M Pokémon Rubí Starterlocke: http://bit.ly/1pNBKiu Pokémon Platino Nuzlocke: http://bit.ly/1tkJIRb Hacks de Pokémon ▼ Pokémon Ash Gray: http://bit.ly/19q6nCu Pokémon Light Platinum: http://bit.ly/KaDEIO Pokémon Naranja: http://bit.ly/1cblujj Pokémon My Ass: http://bit.ly/1j8NYPX MINECRAFT ▼ Fola juega a Minecraft: http://bit.ly/1fO3U5F PIXELMON: http://bit.ly/1lmkKKj LAS 4 TORRES: http://bit.ly/19oNUTH FOLANDIA: http://bit.ly/1phTP8v PIXELMON 3.0: http://bit.ly/1qtkWcI PIXELMON 2: http://bit.ly/1z6p6Mf LIGAS POKÉMON ▼ Pokémon X: http://bit.ly/1g88hcz Pokémon Esmeralda: http://bit.ly/1g88hcz Tengo todas en las listas de reproducción de los vídeos de arriba! MÁS JUEGOS ▼ ZELDA 3DS: http://bit.ly/1bu3hd4 Kingdom Hearts: Birth By Sleep: http://bit.ly/1g89Qr4 Kingdom Hearts HD: http://bit.ly/1oUMtIL Pokémon vs Zombies: http://bit.ly/1fO5HHY Inazuma Eleven GO: http://bit.ly/VHYOCV
Warsaw Philharmonic Orchestra, Stanisław Wisłocki Recorded 1959 00:00 - I. Moderato 11:06 - II. Adagio sostenuto 23:02 - III. Allegro scherzando
- Composer: Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 -- 4 November 1847) - Performers: Trio Wanderer - Year of recording: 2006 Piano Trio No. 2 in C minor, Op. 66 (for piano, violin, and cello) written in 1845. 00:00 - I. Allegro energico e con fuoco 09:35 - II. Andante espressivo 16:03 - III. Scherzo: Molto allegro quasi presto 19:28 - IV. Finale: Allegro appassionato The Piano Trio No. 2 in C minor, Op. 66, is invariably compared to its older sibling, the Piano Trio No. 1 in D minor, Op. 49, written six years earlier. The later work is more complex, employing themes that are less song-like and more amenable to intense development. Also, the Trio in C minor is a more detailed work that rewards repeated listening. Mendelssohn dedicated the Piano Trio in C minor to Louis Spohr (1784-1859), who played through the piece with the composer at least once. - Marked Allegro energico e fuoco, the first movement begins with a segmented theme consisting of rising and falling arpeggios and scales. Its generic components make the theme very flexible and well suited to sonata form and to contrapuntal elaboration, which occurs frequently in the movement. The secondary theme is much more broad than the first and makes an important appearance in the coda. Harmonically, the Allegro is subdued and dark, with Mendelssohn progressing from C minor through G flat major, C flat major, and A flat minor, with occasional returns to C minor to remind us of the primary key. - Mendelssohn cast the second movement, Andante espressivo, in the relative major, E flat. Its subdued main theme, played first in block chords in the piano, sets the tone for the whole movement. - The G minor Scherzo resembles that of Mendelssohn's Octet, Op. 20, but is less refined. Formally, it is unusual. The Scherzo, a frenetic, although quiet, bundle of energy in G minor, gives way to a lyrical Trio in G major. After the Trio has run its course, a significantly shortened reprise of the Trio forms a link to the return of the Scherzo, which is itself abbreviated. - C minor reappears at the beginning of the Finale, marked Allegro appassionato and in 6/8 meter [Brahms would later quote the main theme in the Scherzo of his Piano Sonata in F minor, Op. 5, uploaded on this channel]. The short, modular theme, first stated in the cello, lends itself to Beethovenian development. In the midst of the development section, Mendelssohn inserts the theme of a chorale, "Vor deinen Thron," presented almost literally and mingled with statements of the first theme. Mendelssohn was perhaps following the example of Beethoven, who uses a chorale in his Piano Sonata in C major, Op. 2, No. 3, to impart a sense of profundity. In the case of Mendelssohn, we are left to ponder the reason for this incongruous addition. When this chorale tune returns in the coda, it is given massive, symphonic treatment and is completely detached from the first theme.
The music and the images were extracted from my lp.