Sviatoslav Richter - Rachmaninov: Piano Concerto No. 2 in C minor, Op. 18 | Vinyl, LP DG

Sviatoslav Richter - Rachmaninov: Piano Concerto No. 2 in C minor, Op. 18 | Vinyl, LP DG

Warsaw Philharmonic Orchestra, Stanisław Wisłocki Recorded 1959 00:00 - I. Moderato 11:06 - II. Adagio sostenuto 23:02 - III. Allegro scherzando

Trying to Save The Rolling Stones No 2 Vinyl LP First Pressing MONO

Trying to Save The Rolling Stones No 2 Vinyl LP First Pressing MONO

You can buy Rolling Stones stuff here: http://amzn.to/2j77Uen --------------SUPPORT THIS CHANNEL--------------------- Support my Patreon: http://www.patreon.com/lock Donate via PayPal: https://www.paypal.me/paylock --------------SUBSCRIBE--------------------------------------------- https://www.youtube.com/subscription_center?add_user=vrooomuk --------------LISTEN TO AND BUY MY MUSIC----------- Buy my music: http://music.darrenlock.com Me at iTunes: http://bit.ly/lockitunes Me at Amazon: http://amzn.to/2coSw6T Me at Google Play: http://bit.ly/lockgoogleplay Me at Spotify: http://spoti.fi/2c8m9eA Me at Tidal: http://bit.ly/locktidal Me at Deezer: http://bit.ly/lockdeezer Me at Microsoft Groove: http://bit.ly/lockmicrosoft Me at Shazam: http://bit.ly/lockshazam Me at MediaNet: http://bit.ly/lockmedianet ---------------------AMAZON WISHLIST---------------------- The legendary Wishlist: http://bit.ly/lockwishlist --------------BUY T-SHIRTS & SHIT----------------------------- https://teespring.com/en-GB/stores/lock-store

2014 Worlds Ladies LP Mao Asada Piano Concerto No 2 by Rachmaninoff

2014 Worlds   Ladies   LP   Mao Asada   Piano Concerto No  2 by Rachmaninoff

Rapsodia Húngara No. 2 → LP Gypsy! (Werner Müller & His Orchestra)

Rapsodia Húngara No. 2 → LP Gypsy! (Werner Müller & His Orchestra)

Werner Müller y Su Orquesta interpretan una versión de "Rapsodia Húngara No. 2", perteneciente al LP 'Gypsy', publicado en 1966. 'Rapsodia Húngara No. 2' hace parte de las Rapsodias Húngaras (francés: Rhapsodies hongroises, alemán: Ungarische Rhapsodien, húngaro: Magyar rapszódiák). Es una serie de 19 piezas de piano basadas en temas folclóricos húngaros, compuestas por Franz Liszt durante 1846-1853, y posteriormente en 1882 y 1885. Liszt, además, hizo arreglos de versiones para orquesta, dueto de piano y trío de piano. Liszt incorporó muchos temas que había escuchado en su natal Hungría y qué creyó que era música folclórica, aunque muchos eran de hecho melodías compuestas por miembros de la clase media-alta de Hungría, o por compositores como József Kossovits, muchas veces interpretadas por bandas gitanas. La estructura a gran escala de cada una recibió el influjo del "verbunkos", una danza húngara dividida en varias partes, cada una con un "tempo" diferente. Franz Liszt nació el 22 de octubre de 1811 y murió el 31 de julio de 1886, nacido en Hungría pero establecido en Viena, donde desarrolló principalmente su carrera. Fue compositor, pianista virtuoso y profesor. Liszt se hizo famoso en toda Europa durante el siglo XIX por su gran destreza como intérprete. Sus contemporáneos decían que era el pianista con la técnica más avanzada para su edad y quizá el mejor pianista de todos los tiempos. También fue un compositor importante y muy influyente, un notable profesor de piano, un director que contribuyó significativamente al desarrollo moderno del arte y un benefactor de otros compositores e intérpretes, especialmente de Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg y Alexander Borodin. Werner Müller nació en Berlín, el 2 de agosto de 1920 y murió en Colonia, el 28 de diciembre de 1998. Fue un autor, compositor, director de orquesta y arreglista alemán de gran fama durante las décadas de 1950 y 1960 con su orquesta de swing, especialmente conocido en Japón. Hacia 1954, se asoció con la cantante Caterina Valente, cuya versión de 'Malagueña' fue un éxito internacional.

Limp Bizkit - N 2 Gether Now ft. Method Man

Limp Bizkit - N 2 Gether Now ft. Method Man

Best of Limp Bizkit: https://goo.gl/8f5oRU Subscribe here: https://goo.gl/wQenuY Music video by Limp Bizkit performing N 2 Gether Now. (C) 1999 Interscope Geffen (A&M) Records A Division of UMG Recordings Inc.

The best voice in the world. Dimash Kudaibergenov - Opera 2 (2017)

The best voice in the world. Dimash Kudaibergenov - Opera 2 (2017)

The best voice in the world. Dimash Kudaibergenov - Opera 2 (2017)

Felix Mendelssohn - Piano Trio No. 2 in C minor

Felix Mendelssohn - Piano Trio No. 2 in C minor

- Composer: Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 -- 4 November 1847) - Performers: Trio Wanderer - Year of recording: 2006 Piano Trio No. 2 in C minor, Op. 66 (for piano, violin, and cello) written in 1845. 00:00 - I. Allegro energico e con fuoco 09:35 - II. Andante espressivo 16:03 - III. Scherzo: Molto allegro quasi presto 19:28 - IV. Finale: Allegro appassionato The Piano Trio No. 2 in C minor, Op. 66, is invariably compared to its older sibling, the Piano Trio No. 1 in D minor, Op. 49, written six years earlier. The later work is more complex, employing themes that are less song-like and more amenable to intense development. Also, the Trio in C minor is a more detailed work that rewards repeated listening. Mendelssohn dedicated the Piano Trio in C minor to Louis Spohr (1784-1859), who played through the piece with the composer at least once. - Marked Allegro energico e fuoco, the first movement begins with a segmented theme consisting of rising and falling arpeggios and scales. Its generic components make the theme very flexible and well suited to sonata form and to contrapuntal elaboration, which occurs frequently in the movement. The secondary theme is much more broad than the first and makes an important appearance in the coda. Harmonically, the Allegro is subdued and dark, with Mendelssohn progressing from C minor through G flat major, C flat major, and A flat minor, with occasional returns to C minor to remind us of the primary key. - Mendelssohn cast the second movement, Andante espressivo, in the relative major, E flat. Its subdued main theme, played first in block chords in the piano, sets the tone for the whole movement. - The G minor Scherzo resembles that of Mendelssohn's Octet, Op. 20, but is less refined. Formally, it is unusual. The Scherzo, a frenetic, although quiet, bundle of energy in G minor, gives way to a lyrical Trio in G major. After the Trio has run its course, a significantly shortened reprise of the Trio forms a link to the return of the Scherzo, which is itself abbreviated. - C minor reappears at the beginning of the Finale, marked Allegro appassionato and in 6/8 meter [Brahms would later quote the main theme in the Scherzo of his Piano Sonata in F minor, Op. 5, uploaded on this channel]. The short, modular theme, first stated in the cello, lends itself to Beethovenian development. In the midst of the development section, Mendelssohn inserts the theme of a chorale, "Vor deinen Thron," presented almost literally and mingled with statements of the first theme. Mendelssohn was perhaps following the example of Beethoven, who uses a chorale in his Piano Sonata in C major, Op. 2, No. 3, to impart a sense of profundity. In the case of Mendelssohn, we are left to ponder the reason for this incongruous addition. When this chorale tune returns in the coda, it is given massive, symphonic treatment and is completely detached from the first theme.

(VINYL LP) Rachmaninov / S. Richter, 1959: Piano Concerto 2 in C Minor, Op. 18 - Complete - Wislocki

(VINYL LP) Rachmaninov / S. Richter, 1959: Piano Concerto 2 in C Minor, Op. 18 - Complete - Wislocki

Moderato (0:07) / Adagio sostenuto (11:10) / Allegro scherzando (23:02) NYT Obituary: https://tinyurl.com/y7emnnqw Forty-five year old Sviatoslav Richter is soloist in this 1959 recording on the DG label (catalogue number 138 076, winner of the Grand Prix du Disque) of the Rachmaninov piano concerto in C minor, Op. 18. Stanislaw Wislocki leads the Warsaw National Philharmonic. The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninoff between the autumn of 1900 and April 1901. The second and third movements were first performed with the composer as soloist on 2 December 1900. The complete work was premiered, again with the composer as soloist, on 9 November 1901, with his cousin Alexander Siloti conducting. This piece is one of Rachmaninoff's most enduringly popular pieces, and established his fame as a concerto composer. הקונצ'רטו לפסנתר מס' 2 בדו מינור, אופוס 18 של המלחין הרוסי סרגיי רחמנינוב, הולחן בין סתיו 1900 לאפריל 1901. היצירה הינה מהמפורסמות שביצירות המלחין, וביססה את מעמדו ככותב קונצ'רטי. کنسرتو پیانو شماره ۲ (اپوس ۱۸) دومین کنسرتو پیانو از آهنگساز روسی قرن بیستم، سرگئی راخمانینف، می‌باشد.[۱] این اثر بین پاییز سال ۱۹۰۰ و ۱۹۰۱ نوشته شده است و اولین بار توسط خود راخمانینف به عنوان یک تکنواز در ۲ دسامبر ۱۹۰۰ اجرا شد. اولین اجرای کامل "کنسرتو پیانو شماره ۲" با رهبری پسر عموی راخمانینف، الکساندر سیلوتی، در تاریخ ۹ نوامبر ۱۹۰۱ صورت گرفت. ピアノ協奏曲 第2番 ハ短調 作品18は、ロシアの作曲家セルゲイ・ラフマニノフが作曲した2番目のピアノ協奏曲である。演奏時間は約35分。 피아노 협주곡 2번 c 단조 Op. 18는 러시아의 작곡가인 세르게이 라흐마니노프가 1900년 가을부터 1901년 4월 사이에 작곡한 피아노 협주곡으로, 낭만시대 후기의 대표적인 작품으로 평가된다. 이 작품은 라흐마니노프의 걸작 중의 하나이며, 이 작품으로 인해 라흐마니노프는 작곡가로서의 명성을 크게 얻게 되었다. 3개의 악보로 나눠 작곡했으며, 흔히 연주하는 곡은 마지막으로 편곡된 곡이다. Творческий облик Рахманинова-композитора часто определяют словами «самый русский композитор». В этой краткой и неполной характеристике выражены как объективные качества стиля Рахманинова, так и место его наследия в исторической перспективе мировой музыки. Именно творчество Рахманинова выступило тем синтезирующим знаменателем, который объединил и сплавил творческие принципы московской (П.Чайковский) и Петербургской школ в единый и цельный русский стиль. Тема «Россия и её судьба», генеральная для русского искусства всех видов и жанров, нашла в творчестве Рахманинова исключительно характерное и законченное воплощение. Рахманинов в этом отношении являлся как продолжателем традиции опер Мусоргского, Римского-Корсакова, симфоний Чайковского, так и связующим звеном в непрерывной цепи национальной традиции (эта тема была продолжена в творчестве С. Прокофьева, Д. Шостаковича, Г. Свиридова, А. Шнитке и др.). Особая роль Рахманинова в развитии национальной традиции объясняется историческим положением творчества Рахманинова — современника русской революции: именно революция, отражённая в русском искусстве как «катастрофа», «конец света», всегда была смысловой доминантой темы «Россия и её судьба» (см. Н. Бердяев, «Истоки и смысл русского коммунизма»). "David Hertzberg"

Waldir Calmon - Lp.Chá Dançante n.2 (1982) Completo

Waldir Calmon - Lp.Chá Dançante n.2 (1982) Completo

Músicas 01-Fôlha Morta (Ary Barroso) 02-My Little One (G.Howe - D.Gussin) 03-I Could Have Danced All Night (A.J.Lerner - F. Loew) 04-On The Streer Where You Live (A. J. Lerner - F. Loewe) 05-Feitiço da Vila (Noel Rosa - Vadico) 06-Sôbre as Ondas (J. Rosas) 07-So In Love (Cole Porter) 08-Nunca Jamais (Lalo Guerreiro) 09-Le Rififi (PH. Gerard - Larue) 10-Comendo Troaca (E. Mandarino - Buda do Pandeiro) 11-História de um Amor (Carlos Almaran) 12-Adios Muchachos (Sandera - Vedani)

[Grand Prix] - GP LP 142 - Alessandro Alessandroni - Ritmo Dell'Industria N°2 |LP Complete| (RB)

[Grand Prix] - GP LP 142 - Alessandro Alessandroni - Ritmo Dell'Industria N°2 |LP Complete| (RB)

Rare Jazz/Funk library. Italy, 1969. Label: Grand Prix Tracklist: A1 - Dialogando A2 - Circolazione A3 - Numero Uno A4 - Basso Regime A5 - Vie Motrici B1 - Escursione B2 - Transizione B3 - Riproduzione B4 - Cantiere B5 - Moto Blues ________________________________________­_________________________ No copyright infringement intended. Educational purposes only. If you own the rights to this video, please notify me and I will happily remove it for you. Come and join us: https://www.facebook.com/groups/sound... Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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