Das "Air" von Johann Sebastian Bach aus der 3. Suite für Orchester (D-Dur; BWV 1068), 2. Satz. Einfach zurücklehnen, ins Grüne schauen und genießen. The "Air" by Johann Sebastian Bach from the 3rd orchestral suite (D minor; BWV 1068), 2nd movement. Just lean back, look into the green and enjoy. Photo 2005 by Nebelwarner: Forest at the "Venner Moor" near the city of Senden (German state North Rhine-Westphalia).
Air from Johann Sebastian Bach's 3rd Orchestral Suites or Ouverture No. 3 in D major, BWV 1068. The Air is one of the most famous pieces of baroque music. Preformed By: The Berlin Philharmonic Orchestra Conducted By: Sir Simon Rattle
JOHANN SEBASTIAN BACH (21 March 1685, O.S.31 March 1685, N.S. -- 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France. Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, the Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, and the Great Eighteen Chorale Preludes and Organ Mass. Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time. DAVID GARRETT Birth name David Bongartz Born 4 September 1980 (age 31), Aachen, Germany Genres Classical/Crossover Instruments Violin Website david-garrett.com David Garrett (born as David Bongartz on 4 September 1980 is a record breaking German/American classical violinist and recording artist. Garrett was born in Aachen, Germany to an American prima ballerina and the German lawyer and jurist, Georg Peter Bongartz. He adopted his mother's maiden name as a pseudonym. When Garrett was four years old, his father bought a violin for his older brother. The young Garrett took an interest and soon learned to play. A year later, he took part in a competition and won first prize. By the age of seven, he was playing once a week in public. He studied violin at the Lübeck Conservatoire. At the age of 12, Garrett began working with the distinguished Polish violinist Ida Haendel, often traveling to London and other European cities to meet her. He continued his studies at the Royal College of Music in London. In 2004, he graduated from the Juilliard School in New York City and was one of the first students to study there with Itzhak Perlman.
1 Hour of Classical Music for studying and concentration. The best Bach study music and relaxing instrumental song with soothing wind sounds. Air on the G String - Orchestral Suite No. 3 in D major, BWV 1068 by Johann Sebastian Bach. Thank you so much for watching this video. I hope you enjoy it and don't forget to share it! - Video Footage by Beachfront (beachfrontbroll.com/) - Pictures purchased at Shutterstock and used under a Royalty-Free Subscription License Agreement (https://www.shutterstock.com/license) Source: https://www.shutterstock.com ID Number: 153260503
http://www.facebook.com/2Cellos http://www.instagram.com/2cellosofficial 2CELLOS Luka Sulic and Stjepan Hauser performing their arrangement of Air on the G string from Suite No. 3 in D Major, BWV 1068 by Johann Sebastian Bach with the Zagreb Soloists at their classical "Back to the Roots" concert at the Lisinski Concert Hall in Zagreb, June 2015. Filmed by MedVid produkcija Directed by Kristijan Burlovic Video editing by Stjepan Hauser & Ivan Stifanic Sound by Miro Vidovic, Luka Sulic & Stjepan Hauser
Loop from Bach's Orchestral Suite No.3 in D major, BWV 1068, movement II Air, transposed via software to 432Hz (from original 442Hz). Try also the amazing Reversed & Slower Series: https://www.youtube.com/playlist?list=PLyxrfb4MWVE2lp5C8karA5hkPOU2_ymq7 “If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.” - Nikola Tesla “The highest goal of music is to connect one’s soul to their Divine Nature, not entertainment” - Pythagoras (569- 475 BC) # Buy a coffee for Julay: http://ko-fi.com/A017BH6 # Julay's music @ 432Hz: https://julayjohnb.bandcamp.com
3ª Suite para Orquesta en D menor; BWV 1068, 2do movimiento llamado "The Air" (Aire) de Johann Sebastian Bach. Un clásico dentro de su trabajo que lo son todos. Pero Aire tiene algo especial para todo el mundo. Así lo entiendo, y me lo debía hacerlo. Enorme este petiso cascarrabias y genial, como lo llamó María E. Walsh..."Un señor lleno de cielo, el señor Juan Sebastian"
Hey everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.html and we will make more videos like this one :) The second movement, Aria, from Bach's orchestral suite in D Major, BWV 1068, performed on original instruments from the time of Bach by the Early Music ensemble Voices of Music. You can purchase our recording of this track on the "Evening with Bach" CD on iTunes, Amazon and Magnatune http://goo.gl/WHXW5Y Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/ Q. Where can I buy CDs? A. Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :) Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See https://goo.gl/pVBNAC Voices of Music Hanneke van Proosdij & David Tayler, directors The musicians and their instruments Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754 Maxine Nemerovski, baroque violin by Timothy Johnson, Indiana, 1999 (after Stradivarius) Elizabeth Blumenstock, baroque violin by Andrea Guarneri, Cremona, 1660 Kati Kyme, baroque violin by Johann Gottlob Pfretzschner, Mittenwald, 1791 Lisa Grodin, baroque viola by Mathias Eberl, Salzburg, Austria, 1680 William Skeen, five string baroque cello, Anonymous, Italy, c1680 Farley Pearce, violone by George Steppani, Manchester, 1985, after Amati, 1560 David Tayler, archlute by Andreas von Holst, Munich, 2012 after Magno Tieffenbrucker, Venice, c1610 Hanneke van Proosdij, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th-century northern German instruments #Bach #AirontheGString
Tabs and sheet music are available at https://shop.per-olovkindgren.com/?product_tag=air-on-a-g-string I have released my 3rd CD called "AIR" where I play music by: Dowland, Galilei, Weiss, Bach, Handel, Albinoni and Pachelbel. All, popular classical pieces that I have been asked to record on a CD. And here it is! You can download it from my website http://www.shop.per-olovkindgren.com and also listen to sound samples there. The famous "Air on a G-string" from Bach's Suite for Orchestra no. 3. I hope you will enjoy it. Kindly, Per-Olov Kindgren
Johann Sebastian Bach - Suite 3 in D (Air) BWV 1068