Ahi Na' Ma Frankie Vazquez y Los Misticos

Ahi Na' Ma Frankie Vazquez y Los Misticos

Los Misticos with Frankie Vazquez at Salsa Club Mystique Amsterdam, Nov 30 / 2013!

Cheo Feliciano - Anacaona (Yo Soy La Salsa)

Cheo Feliciano - Anacaona (Yo Soy La Salsa)

More than a genre , the salsa was a cultural movement that arose in a time of need for strengthening the Latino culture and spread across the world with such force that 50 years later still moving the feet of the dancers in the most inhospitable corners world . At the heart of the movement is the figure of Johnny Pacheco , who is known as one of the great musical legends responsible for the SALSA genre. Yo Soy La Salsa is a documentary about the life of Johnny Pacheco and everything he accomplished in the past 60 years. This video is from the tribute show that was done in Dominican Republic to honor the legend himself, Johnny Pacheco. Enjoy Cheo Feliciano performing "Anacaona" Siguenos/Follow us: Facebook: https://www.facebook.com/FaniaRecords Twitter: https://twitter.com/Faniamusic Instagram: http://instagram.com/faniarecords No te olvides de suscribirte/Don’t forget to subscribe at https://www.youtube.com/faniarecords salsa brava concierto de salsa oscar de leon johnny pacheco celia cruz son salsa mix fania all stars willie colon hector lavoe

Pancuco Tommy Olivencia y Frankie Ruiz

Pancuco   Tommy Olivencia y Frankie Ruiz

Pancuco Canta Frankie Ruiz (Coros Hector Tricoche y Carlos Alexis 1984)

Afinque Total Don Perignon Y La Puertorriqueña

Afinque Total   Don Perignon Y La Puertorriqueña

Charlie Palmieri & Friends At Club Broadway

Charlie Palmieri & Friends At Club Broadway

Tema de Maria Cervantes is performed by Charlie Palmieri: leader & piano, Andy Gonzalez, Salvador Cuevas: bass, Nicky Marrero: timbales, Eddie Montalvo: conga, Jose Rodrigues: trombon, Piro Rodriguez, charlie Sepulveda: trumpets at Club Broadway on November 24, 1986.

Tito Puente Last Life Performance Oye Como Va

Tito Puente Last Life Performance Oye Como Va

By virtue of his warm, flamboyant stage manner, longevity, constant touring, and appearances in the mass media, Tito Puente is probably the most beloved symbol of Latin jazz. But more than that, Puente managed to keep his music remarkably fresh over the decades; as a timbales virtuoso, he combined mastery over every rhythmic nuance with old-fashioned showmanship -- watching his eyes bug out when taking a dynamic solo was one of the great treats for Latin jazz fans. A trained musician, he was also a fine, lyrical vibraphonist, a gifted arranger, and played piano, congas, bongos, and saxophone. His appeal continues to cut across all ages and ethnic groups, helped no doubt by Santana's best-selling cover versions of "Oye Como Va" and "Para Los Rumberos" in 1970-1971, and cameo appearances on The Cosby Show in the 1980s and the film The Mambo Kings in 1992. His brand of classic salsa is generally free of dark undercurrents, radiating a joyous, compulsively danceable party atmosphere. Rooted in Spanish Harlem, of Puerto Rican descent, Puente originally intended to become a dancer but those ambitions were scotched by a torn ankle tendon suffered in an accident. At age 13, he began working in Ramon Olivero's big band as a drummer, and later he studied composing, orchestration, and piano at Juilliard and the the New York School of Music. More importantly, he played with and absorbed the influence of Machito, who was successfully fusing Latin rhythms with progressive jazz. Forming the nine-piece Piccadilly Boys in 1947 and then expanding it to a full orchestra two years later, Puente recorded for Seeco, Tico, and eventually RCA Victor, helping to fuel the mambo craze that gave him the unofficial -- and ultimately lifelong -- title "King of the Mambo," or just "El Rey." Puente also helped popularize the cha-cha during the 1950s, and he was the only non-Cuban who was invited to a government-sponsored "50 Years of Cuban Music" celebration in Cuba in 1952. Among the major-league congueros who played with the Puente band in the '50s were Mongo Santamaria, Willie Bobo, Johnny Pacheco, and Ray Barretto, which resulted in some explosive percussion shootouts. Not one to paint himself into a tight Latin music corner, Puente's range extended to big-band jazz (Puente Goes Jazz), and in the '60s, bossa nova tunes, Broadway hits, boogaloos, and pop music, although in later years he tended to stick with older Latin jazz styles that became popularly known as salsa. In 1982, he started reeling off a string of several Latin jazz albums with octets or big bands for Concord Picante that gave him greater exposure and respect in the jazz world than he ever had. An indefatigable visitor to the recording studios, Puente recorded his 100th album, The Mambo King, in 1991 amid much ceremony and affection (an all-star Latin music concert at Los Angeles' Universal Amphitheatre in March 1992 commemorated the milestone), and he kept adding more titles to the tally throughout the '90s. He also appeared as a guest on innumerable albums over the years, and such jazz stars as Phil Woods, George Shearing, James Moody, Dave Valentin, and Terry Gibbs played on Puente's own later albums. Just months after accepting his fifth Grammy award, he died on June 1, 2000. Several months later, Puente was recognized at the first annual Latin Grammy Awards, winning for Best Traditional Tropical Perfomance for Mambo Birdland. ~ Richard S. Ginell, All Music Guide

El Prodigio performs Periblues

El Prodigio performs  Periblues

Merengue accordion sensation, El Prodigio performs the song, Periblues for http://www.congahead.com. Hear authentic Dominican Republic tambora, güira and conga percussion at it's authentic best.

Lluvia - Gilberto Santa Rosa Feat. Tony Vega - XIX Festival Del Callao 2015

Lluvia - Gilberto Santa Rosa Feat. Tony Vega - XIX Festival Del Callao 2015

SUSCRIBETE A MI SEGUNDO CANAL DE SALSA Y ACTIVA LA CAMPANA DONDE SEGUIRÁS MAS DE CERCA A TUS ORQUESTAS PREFERIDAS SALSABOOM https://www.youtube.com/channel/UCLVFPwddY6N4YTlGRgztU5g Juancito Piratex Audiovisuales Info : +1 5713387984 SUSCRIBETE PARA MÁS VIDEOS FACEBOOK : https://www.facebook.com/juancito.piratex.3 INSTAGRAM : https://www.instagram.com/juancitopiratex/?hl=es TWITTER : https://twitter.com/JuanPiratex10 SNAPCHAT : JPIRATEX

Poncho Sanchez and His Latin Jazz Band "Ven Pa Bailar" Live at Java Jazz Festival 2012

Poncho Sanchez and His Latin Jazz Band "Ven Pa Bailar" Live at Java Jazz Festival 2012

Poncho Sanchez and His Latin Jazz Band performs "Ven Pa Bailar" live at the Jakarta International Java Jazz Festival 2012, Sunday March 4th - C1 Hall JiExpo Kemayoran, Jakarta - Indonesia. Facebook Page : https://www.facebook.com/ponchosanchezjazz Watch him on Youtube : http://www.youtube.com/ponchosancheztv Get his music on iTunes : https://itunes.apple.com/us/artist/poncho-sanchez/id3191047 Official Website : http://www.ponchosanchez.com

MAS QUE NADA - Sergio Mendez and Brazil 66

MAS QUE NADA - Sergio Mendez and Brazil 66

"Gostaríamos de agradecer a todos e cada um de vocês por todos os vossos comentários que realmente aquecer nossos corações. E, para aqueles que generosamente compartilharam nossa música e vídeo para o Google+, a sua bondade é muito apreciada." Amor e beijos - ╠♥╣ҽÅят ♥♥♥ Sérgio Santos Mendes is a Brazilian musician. He has over fifty-five releases, and plays bossa nova heavily crossed with jazz and funk. He was nominated for an Academy Award for Best Original Song in 2012 as co-writer of the song "Real In Rio" from the animated film Rio. Mendes is married to Gracinha Leporace who has performed with her husband since the early 1970s. He has collaborated with many artists through the years, including the Black Eyed Peas, with whom he re-recorded a version of his original breakthrough hit "Mas Que Nada". Background Video Clip: RIO DE JANEIRO. The second largest city in Brazil, is often called Cidade Maravilhosa, the Marvelous City. Squeezed by the Atlantic Ocean and the verdant hills of Brazil, Rio's dramatic natural setting has impressed visitors for decades. The energy of its residents is legendary. No one dances more exquisitely or parties longer than the cariocas (residents of Rio). Even within Brazil, cariocas are known as fun, sensual, and easygoing. Their main playgrounds are the beaches of Copacabana and Ipanema, names that easily roll off the tongue.

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